Kurt Wilhelm Marek (C. W. Ceram) Quotes
Quotes to Explore
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Maybe I fear things going wrong so much that I pre-empt them by not getting excited about them when they appear to be. going well.
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But when it came to jamming and writing songs like we used to, we realized Brandon was a huge spirit in the band. Who knew? It was just something we had to learn.
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I don't like the blame game, though.
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It's like everybody is shooting something, and everybody's a filmmaker; everybody can shoot a cat video and post it. So the big thing now is - for people that have talent and have something to say, and are creative, and are capable of making something good - is how do they get attention to it?
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Democracies are expense-averse and they think in terms of short-term, political interests rather than a long-term interest in stability.
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It drives me crazy when your parents try to read your mind. It's even worse when they try to read your mail.
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I'm very competitive, and I want to win.
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Everyone thought I was going to die like a year later, they didn't know. So I helped educate sports, and then the world, that a man living with HIV can play basketball. He's not going to give it to anybody by playing basketball.
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We read Robert Browning's poetry. Here we needed no guidance from the professor: the poems themselves were enough.
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I'm not afraid to call a wine that tastes like Skittles or green peppers mixed with orange marmalade. I'll say, 'It tastes like chicken.' I mean, that's not what people think of when they think of wine, but that's what it tastes like to me and it hits home.
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I think I'm a good judge of character.
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I see the world in rectangles. If I am talking to someone, I find myself analysing their face, working out how to recreate it in bricks.
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I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level.
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I knew that I wanted to write about a very young woman because I wanted to see the eyes of the art world in a fresh or even slightly naive way. Because there's something very honest about entering a room and not having a read on everyone there.
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Music was in the air when I was growing up. My siblings Katy, Dave and Phil were musical; my dad worked in inner-city New York where a musical revolution was taking place - folk music, rock n' roll, gospel music. My sister taught me to sing. My brothers taught me to play.
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I train as hard as I can every time I train and I do extra training every day and I've done that since I was a young boy.
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If there's an incursion I don't go out of the house.
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I will never sell Flipkart.
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We collaborate together. We work with other people. We work by ourselves.
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Some of the speakers we bring on campus may not reflect official church teaching, but that's how it is.
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Nothing is like being out there and playing and performing and winning - nothing. But to have an interest in the player? The nerves and everything that goes with it? Seeing what he's learned and how he's done it? That's the second best thing to playing. I think.
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The cliché, God hates the sin but love the sinner, is false on the face of it and should be abandoned. Fourteen times in the first fifty Psalms alone, we are told that God hates the sinner, His wrath is on the liar, and so forth. In the Bible, the wrath of God rests both on the sin (Romans 1:18ff) and on the sinner (John 3:36).
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Genius is the ability to reduce the complicated to the simple.
