Kurt Wilhelm Marek (C. W. Ceram) Quotes
Quotes to Explore
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Maybe I fear things going wrong so much that I pre-empt them by not getting excited about them when they appear to be. going well.
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But when it came to jamming and writing songs like we used to, we realized Brandon was a huge spirit in the band. Who knew? It was just something we had to learn.
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I don't like the blame game, though.
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It's like everybody is shooting something, and everybody's a filmmaker; everybody can shoot a cat video and post it. So the big thing now is - for people that have talent and have something to say, and are creative, and are capable of making something good - is how do they get attention to it?
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Democracies are expense-averse and they think in terms of short-term, political interests rather than a long-term interest in stability.
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For the record, I have long suspected that my favorite book is actually 'Charlotte's Web.'
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It drives me crazy when your parents try to read your mind. It's even worse when they try to read your mail.
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I'm very competitive, and I want to win.
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Everyone thought I was going to die like a year later, they didn't know. So I helped educate sports, and then the world, that a man living with HIV can play basketball. He's not going to give it to anybody by playing basketball.
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We read Robert Browning's poetry. Here we needed no guidance from the professor: the poems themselves were enough.
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I'm not afraid to call a wine that tastes like Skittles or green peppers mixed with orange marmalade. I'll say, 'It tastes like chicken.' I mean, that's not what people think of when they think of wine, but that's what it tastes like to me and it hits home.
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I think I'm a good judge of character.
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I see the world in rectangles. If I am talking to someone, I find myself analysing their face, working out how to recreate it in bricks.
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I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social life on a certain level.
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I knew that I wanted to write about a very young woman because I wanted to see the eyes of the art world in a fresh or even slightly naive way. Because there's something very honest about entering a room and not having a read on everyone there.
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Music was in the air when I was growing up. My siblings Katy, Dave and Phil were musical; my dad worked in inner-city New York where a musical revolution was taking place - folk music, rock n' roll, gospel music. My sister taught me to sing. My brothers taught me to play.
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I train as hard as I can every time I train and I do extra training every day and I've done that since I was a young boy.
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If there's an incursion I don't go out of the house.
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It is a common teaching of the Saints that one of the principal means of leading a good and exemplary life is certainly modesty and the mortification of the eyes. Just as there is nothing better than modesty to preserve devotion in a soul and to edify one's neighbor, so too, there is nothing worse than immodesty and licentious glances to expose a person to the danger of becoming lax and loose in morals.
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I'd like to get more bit-acting roles. I don't know if my talent would allow for a long dialogue, but I could definitely knock out three lines. I'd kill it.
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The crazy thing is a lot of people - a lot of men, if I'm just speaking for myself - don't really start thinking about the effect of hyper-masculinity and false definitions of what it means to be a man until you get married or until you have kids. Because then, all of sudden, you have something to protect.
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Good people were also capable of doing very bad things.
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What a poor appearance the tales of poets make when stripped of the colours which music puts upon them, and recited in simple prose.
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Genius is the ability to reduce the complicated to the simple.
