Yasumasa Morimura Quotes
I planned the exhibition so that it becomes a story where the viewer travels through these islands [of ideas]. Whether the contents of each chapter came first or the artist came first in making the decision was different in each case.
Quotes to Explore
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Look at how hard it was to get to where I am. It doesn't make sense to give it up.
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We do high heels, and people know us for that, but the idea of wearing a flat from day to night feels special.
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I don't do grey. I like my colour, my style.
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I don't get irrational about it, but I do have a deeply-rooted competitive spirit. Not necessarily towards other people, but towards any obstacle that I set for myself.
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I never felt a need to manipulate my career from the outside - try to be someone I wasn't to get ahead.
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When I'm ready, I plan to adopt. I still believe in family.
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I think Hugh Laurie is awesome. You just want to loathe that guy in 'House' because he is not a friendly person, but somehow or another, he is profoundly charming.
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Who am I, if I'm not this singer with big high notes? I identify with my voice. But I'm more than just the acrobatics.
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Basketball paid for four years of my education, and I am so proud of that.
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We have much to be judged on when he comes, slums and battlefields and insane asylums, but these are the symptoms of our illness and the result of our failures in love.
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Famous people feel that they must perpetually be on the crest of the wave, not realising that it is against all the rules of life. You can't be on top all the time, it isn't natural.
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Surely a long life must be somewhat tedious, since we are forced to call in so many trifling things to help rid us of our time, which will never return.
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To anybody who says to me, 'I'm in character,' I say, 'You should be in an asylum.' If you don't know that you're pretending, then you should really seek medical help. I don't have patience for that stuff.
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I had to make peace with my past because I can't change it.
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There's no such thing as old age, there is only sorrow.
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Power and speed be hands and feet.
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If I could play drums like Patrick Carney or Taylor Hawkins, I'd be a really happy person.
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I gave a funny speech at my wife's birthday party, and I'm thinking, 'Hey, I've still got it.'
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I like living on my own. I'm happy for a man to come over. I'll cook for him; he can spend the night occasionally, but then I want him to leave. I'm too independent.
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Bridges and roads take years to build, but too often, states and communities haven't known if funding will be there for them more than a few months at a time.
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Dance and theatre afforded me the opportunity to discover my passion for acting, for telling stories.
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I had listened to Joe Turner. When they'd book Joe there, I'd play the blues behind him.
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I loved that these two guys argued with each other as if movies actually mattered. Nobody I knew talked about movies that way, but Siskel and Ebert took each movie as it came and talked about whether it was a success on its own terms.
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I planned the exhibition so that it becomes a story where the viewer travels through these islands [of ideas]. Whether the contents of each chapter came first or the artist came first in making the decision was different in each case.
