Nan Goldin Quotes
Usually people just do their own work. But I want to deal with the place and what it means to show in a mental hospital.
Quotes to Explore
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Hamas says in its charter they want to see a world without Israel. They want to obliterate Israel.
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I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
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I live a half mile from the San Andreas fault - a fact that bubbles up into my consciousness every time some other part of the world experiences an earthquake. I sometimes wonder whether this subterranean sense of impending disaster is at least partly responsible for Silicon Valley's feverish, get-it-done-yesterday work norms.
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I feel like I'm a natural-born playwright, but the prose thing has always mystified me. How to keep it going? How do people do it, for years and years?
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Of course we wish that more people involved in the leak of my true CIA identity had been prosecuted, but the system worked.
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Government of the people, by the people, for the people, shall not perish from the Earth.
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When you work on a movie, especially an independent movie, it's a lot of work to make it! It's not just our job as actors - so many people are working so hard, and even the littlest movie takes a lot of work.
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I've always been a feminist, and what I love in my work is being able to explore a full-sided woman and not patronize her.
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No degree of dullness can safeguard a work against the determination of critics to find it fascinating.
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My audience has really become a very diverse group of people. It's not just 15-year-old girls. That's kind of what allows me to write from all the different places I want to write from.
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When we want to have our own style of living, it is nobody's business but ours. What we do in private is our private business.
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The art world is never going to be popular like the NFL, but more people are buying art and I think that's cushioning, to a great extent, our art-market cycles.
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I'm not partial to any system, but at the same time, I'm a Korean actor, so I expect to work mainly on Korean projects.
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Weight training and working on being explosive helped me gain a few yards of pace. Even when I was small, I was stocky. Even if people pushed me, I managed to stay on my feet.
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When I first came to the Bay area, I worked in Silicon Valley in the early to mid-'90s, and I think what mattered then was our ability as designers to create a vision around people's ideas.
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I was the one who was always calling people.
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There are lots of people depending on the government who are good, honest citizens who have worked all their lives.
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If people are talking about your movie and they're like, 'Yeah, it was ok' - that's the last reaction I would want! I would rather people would say, 'Oh, I hated it!' or 'I loved it!' rather than 'Oh, it's ok.'
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I'm disregarding all the rules I've seen as people approach writing music. I'm trying to break them.
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I played a lot of keyboards, but I really wanted to produce the sound that was in my head that I was trying to emulate on the keys. I wanted to do it for real. And it makes me look at the keys in a different way. So it's like I'm looking at the guitar and bass more like meat and potatoes and keys like coloring over top of it, you know.
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The teachers of our law, and to propose What might improve my knowledge or their own.
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There'll always be working people in my poems because I grew up with them, and I am a poet of memory.
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Usually people just do their own work. But I want to deal with the place and what it means to show in a mental hospital.
