Michael Ealy Quotes
I honestly think I'm just an actor. It doesn't matter the medium. I can go on stage and be happy, I can be on TV and be happy.
Quotes to Explore
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If you're thin-skinned, you don't belong doing what I do for a living.
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Our house is a constant mayhem of music, noise, socializing and business. It vibrates life, as a house should.
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My first novel, 'In the Drink,' begun when I was 29 and floundering and published when I was 36 and married, was about a 29-year-old woman whose life was even more screwed up than my own had been.
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A cat is never vulgar.
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Probably the biggest influence on my career was the late John Hersey, who, while he was at 'The New Yorker,' wrote one of the masterpieces of narrative non-fiction, 'Hiroshima.' Hersey was a teacher of mine at Yale, and a friend. He got me to see the possibility of journalism not just as a business but as an art form.
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I'm into my grime, hip-hop, dance, and house music.
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I'm neurotic about children. I see dangers everywhere - sharp corners, stairs.
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I don't think I always look in people's faces, like, as - I think especially when I'm doing my more intimate songs that are quite personal, I always feel it's a bit accusing if I stare in someone's face when I singing quite a personal lyric.
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Every actor has to move in a Terrence Malick film - that's the requirement. If you stop, he'll tell you, 'No, no, keep moving.' You can't be static. It's a choreography.
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We need a government, alas, because of the nature of humans.
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It's quite difficult to write about female friendship without it seeming to be a very niche subject. It's a difficult balance.
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I don't necessarily like being defined by my profession.
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The men were all scumbags, but the whole point of the film is to show the development of that. Each guy is going in there to have a good time. By and large, these men are career men, family men, and you just see the deterioration of them.
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I do seem to have a lot of family secrets in my novels. I guess I'm one of those writers who is often writing about the same sort of themes, but taking different angles on them.
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In the happy scenes there were really fun times. Sean would say really funny stuff because he likes to improv. I would want to laugh, but you are not allowed to do that during the take.
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I never consciously do any work directly influenced from any movie, unless I'm doing a parody.
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I enjoy playing characters where the silence is loud.
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I love the way they look. I love the way they feel. I love saying the word again and again: Jeggings! Jeggings! Jeggings!
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I really, really love music. I'm affected by it and uplifted by it, and made to laugh and cry, and almost fall in love with the person who has made me feel so brilliant and communicated so profoundly to me.
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TV is a wasteland. It's a bunch of news actors that read off a prompter.
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Cut out all these exclamation points. An exclamation point is like laughing at your own joke.
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In art, S. Bridget is usually represented with her perpetual flame as a symbol, sometimes with a column of fire, said to have been seen above her head when she took the veil.
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I honestly think I'm just an actor. It doesn't matter the medium. I can go on stage and be happy, I can be on TV and be happy.
