Nadezhda Mandelstam Quotes
I decided it is better to scream. . . . Silence is the real crime against humanity.
Quotes to Explore
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If a man begins writing at thirty, by the time he is fifty or sixty, the bulk of his work has been done. By the time he is eighty, he's got nothing more, you know?
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I have this kind of mild nice-guy exterior, but inside my heart is like a steel trap.
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I think it just came to a point where I made a decision to do better with my life and health. And that is only by God's grace because there are no guarantees.
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Don't be surprised if you find me doing some charity work in another country.
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Our goal is to build this up as a knowledge base that anyone can look at. We're not just interested in people answering their friends' one-off questions.
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I'm completely open about the fact that I don't love every genre of metal. I like what I like. It's got to have some vocal quality and some semblance of melody.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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There's a difference between a failure and a fiasco... a fiasco is a disaster of mythic proportions.
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The Israeli public's willingness to enlist, the warm embrace for the soldiers and the residents of the south, and the desire to contribute and to give at any given moment really warm the heart, and it gives all of us strength.
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When Orientals are attacked, they don't hit back.
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I enjoy music wherever it's coming from.
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I'm not the kind of person who's going to look at the top of a mountain and go, 'Oh, look at that! That's lovely. That's lovely, that top of that mountain.' I'm the kind of person who's going to go, 'Oh, my God! That's so lovely! Let's go climb up it!'
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In films people basically work for the camera, you know, and that's why actors can hate each other and not be speaking to each other and still look as if they're in love because really they're loving the camera loving them.
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What crime writers are doing connects deeper into a cultural hunger. Crime is important. When you open up a book that has a body that's dead, that matters. It matters more than a certain level of suburban angst; it really does.
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Showbiz can be cruel.
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There are not many persons who know what wonders are opened to them in the stories and visions of their youth; for when as children we listen and dream, we think but half-formed thoughts, and when as men we try to remember, we are dulled and prosaic with the poison of life.
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I have been back in Paris for two weeks. Nothing new. Life is still bitter.
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People forget that although we can pinpoint the price, we can only guess at future earnings. The past isn't much help: It simply tells whether a market was pricey or cheap.
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I'm a writer. I'm not an actress.
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When I read 'Dream of Red Mansions,' I was really struck by the fact that it was built differently from a lot of genre works. Specifically, a lot of the events that should have taken centre-stage - wars, social upheavals - were seen entirely through the eyes of the women of a Chinese household.
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In horror movies today it's lots of fast cut shot and lots of loud noises on the soundtrack. I tried to do the opposite. Playing with silence for instance.
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The real and most pressing question raised by any social problem is: "How do I appear concerned and compassionate to all my friends, colleagues, and peers?
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Tall people have a real advantage in the world.
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I decided it is better to scream. . . . Silence is the real crime against humanity.
