Ian Bohen Quotes
Quotes to Explore
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Let's not just look at it as taking votes away from Gore. Our support comes from a lot of people.
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Most vegetarians look so much like the food they eat that they can be classified as cannibals.
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If I were trying to impress a girl, I wouldn't get all super dressed because I would look like I was trying too hard. Instead, I would probably wear what I normally would.
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You as an audience can look at these things as films, but I remember them as social experiences.
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What you do on a dinosaur expedition is you hike and look at the ground. You find bones sticking out of the dirt and, once you see something, you dig.
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We have to look to the well-being of the Lebanese citizens and create prosperity in the country, and you can't create prosperity without stability.
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We humans lack imagination, to the point of not even knowing what tomorrow's important things will look like.
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It's all in how you look at your life, because no one has a wonderful life. But you can make it what you want it to be.
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On the clothes front, I have a designer who sits with the director for each film to chalk out a look for me based on the script.
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When you look at our programme for the next few weeks, you do not fancy a trip to the Oktoberfest.
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In L.A., wives can fly on the plane; with the Yankees, they can't. With other teams, the wives always have functions to bring them together. Not here. You don't know what half the wives look like.
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If there is something magic about the collaborations I have with actors it's because I put the character first.
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Your look reflects what's happening in your mind. You gotta have some swag to you.
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Those women with collagen lips just look like frogs - 'muffin mouths,' I call them. There's not a line on their brows, and all the emotion gone from their faces, like all those actresses in 'Desperate Housewives.'
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I look at what I've gone through in my career and I really shouldn't be talking to you now. I should be dead ten times over.
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To be a truly conscientious artist, you have to look at what's not working and challenge it. You riff on things.
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If you look at successful studios, they're the ones with stabilized management.
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Without a doubt, even when I play with Black Label, when we have different guys I play with, everyone always brings their own magic, their own flavor to the soup, hands down.
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The magic is as wide as a smile and as narrow as a wink, loud as laughter and quiet as a tear, tall as a tale and deep as emotion. So strong, it can lift the spirit. So gentle, it can touch the heart. It is the magic that begins the happily ever after.
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One of the things I really respect about Doug Moo is that he is constantly grappling with the text. Where he hears the text saying something which is not what his tradition would have said, he will go with the text. I won't always agree with his exegesis, but there is a relentless scholarly honesty about him which I really tip my hat off to.
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Success is dangerous. One begins to copy oneself, and to copy oneself is more dangerous than to copy others. It leads to sterility.
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We grow each day or don't grow. Go the other way. We're a different person all the time. The human being is something happening differently every day. That's the challenge of doing a play: using your instrument to learn and to pull out these things.
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Having something to look forward to is like having a little bit of magic in your pocket.
