Ian Kelsey Quotes
Quotes to Explore
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Painting what I experience, translating what I feel, is like a great liberation. But it is also work, self-examination, consciousness, criticism, struggle.
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When you're a teenager, you want to meet a lot of girls - you want to get the most girls. You don't know anything about respect; you don't know anything about being faithful and loyal to your girlfriend.
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'The Wire' really is an American classic, and I think that's something to be very proud of.
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I think we all carry the seeds of our own destruction. You really have to be aware that just because something is good, it doesn't mean it's not going to trigger a self-destructive impulse.
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I think Hillary Clinton is a good and effective secretary of state.
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You can never fully put your finger on the reason why you're suddenly, inexplicably compelled to explore one life as opposed to another.
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I read the paper every day and the Bible every day; that way I know what both sides are up to.
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So many of these comics are just frustrated singers or actors - they want to get a gig doing a sitcom. It's paint-by-the-numbers comedy, lame joke-telling. They're drawn to it as a career move.
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Michael Jackson, he used to chase relevancy all the time. He always wanted to go a little bigger and better and keep that audience. There was never a point where Michael was going to feel like, 'I've got to play the Nokia, and that's all I'm going to pull in is the Nokia.' That would not have been acceptable.
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My dancing is Hawaiian-inspired but I also get a little fresh when it comes to my faster songs.
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A great calamity is as old as the trilobites an hour after it has happened.
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If uncovering the truth is the greatest challenge of nonfiction writing, it is also the greatest reward.
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I think the government should be out of the marriage business and leave marriage to the churches.
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I could live on challah bread, the Jewish kosher bread, quite happily.
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The essence of all religions is one. Only their approaches are different.
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The trouble with the profit system has always been that it was highly unprofitable to most people.
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I'm free to see things objectively because I don't consider myself American, and I don't consider myself British or Indian. I'm kind of an amalgam or mongrel of a lot of different places and experiences. In a lot of ways it's been a good thing for me. It's enabled me to do what I do on 'The Daily Show.'
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You cannot come here because you are not white.
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I know what the Giller nominee effect is, but we'll see what the next level is.
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The blessings we evoke for another descend upon ourselves.
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I was kind of freaked out by the art world in the 1980s. Just the money thing. All the competition over artists.
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Autobiography is awfully seductive; it's wonderful. Once I got into it, I realized I was following a tradition established by Frederick Douglass - the slave narrative - speaking in the first-person singular, talking about the first-person plural, always saying 'I,' meaning 'we.'
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It's a very unnatural environment to be in, up on a stage. So you put up defenses to hide. Like looking at the ground with your hair in your eyes, or being tightly wound and quite aggressive and uncooperative, as I used to do.
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My sense of romance stretches a little further than a barrage balloon.
