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'Sex and The City' was made to correct the myth that if you were single at a certain age, you were a leper. Its four characters are heroes to a lot of women; they run around New York, or Gotham - but they have fancy shoes instead of capes.
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The jokes I used to do on 'Sex and the City' were always comic character things, and they were rarely hard jokes. As soon as you go up in front of people, it demands laughter.
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People wince when something is in bad taste. They laugh when it's funny. If it's too dirty or wrong, they won't laugh. But if it's a big, dirty, smart, funny laugh, they love it.
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If I talk to a woman for more than five minutes I can tell you exactly whether she's an Aidan girl or a Mr. Big girl. Aidan girls are more interested in nurturing relationships and building a nest while Mr. Big girls are more about show and having fun.
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People pull away from something if it's not of good taste. People lean into something if it's okay.
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My mom would be leaving the house and she'd say, 'Don't you pull out all of the old dresses in the attic and put on a show again!' And the door would close, and that's exactly what I'd do. The show was calling me!
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That's the thing about needs. Sometimes when you get them met, you don't need them anymore.
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My female writers have always been my backbone. I had a writing room of six women for five years so I know what women do. Cultivated by me, by the way!
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Seasons change. So do cities. People come into your life and people go, but it's comforting to know: the ones you love are always in your heart. And if you're very lucky, a plane ride away.
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I try not to repeat a story. I try not to repeat an emotion. I want it to be all sort of new for the viewers and to challenge myself as a writer, so there's always pressure. What else can you come up with?
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Every character when born is a stereotype.