Garth Risk Hallberg Quotes
The central question driving literary aesthetics in the age of the iPad is no longer 'How should novels be?' but 'Why write novels at all?'
Quotes to Explore
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If they understand, which I believe they really are sensing, that the alternative the Republicans have been offering is to repeal what we've done, to go back to Bush policies - and if you asked the public what would you prefer, Bush economic policies or Obama economic policies, they take and prefer Obama economic policies.
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I am neither a Bengali nor am I from Delhi's St Stephen's. I am an Allahabad boy.
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It is by a wise economy of nature that those who suffer without change, and whom no one can help, become uninteresting. Yet so it may happen that those who need sympathy the most often attract it the least.
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I identified in a very deep way with the individuals I was writing about because the theme that runs through this story is of extraordinary hardship and the will to overcome it.
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I think we all have our own mission, duty, fate in life so for me somehow I think I am always walking on the edge of life and take risks.
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I write 'by the seat of my pants.' I love to do research. I am inspired by contemporary writers and contemporary events. I live in the real world.
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I like to go out and write. So I'll often go to a Starbucks or a local coffee bar, and I'll sit there and I'll write. I can write pretty much anywhere.
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I did a shoot with massive iguanas in Costa Rica when I was modeling back then. They were like little dinosaurs, and they sat right across my arms and by my face. The guy told me not to make any sudden movements because they had enormous claws. The guy said he would rip my skin if he attacked.
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Stardom happens - you can't plan it - it's destiny, and you shouldn't stand between you and your destiny. I'm letting my destiny play its part, and I go by my gut feeling. If I like my role, I say yes; if I don't, I just refuse, as simple as that.
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It's great to play someone who's so unafraid of being who she is.
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'Firewall' seems both scary and protective at the same time. And how often does that happen within one word besides 'military' and 'government?'
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I had really bad obsessive-compulsive disorder. At its worst, I was compelled to leave my house at three o'clock in the morning and go out in the alley because I just knew that the paper-towel roll I threw in the recycling bin was uncomfortable, like it was lying the wrong way, and I would be down in the garbage.
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Theatre gives you wings as an actor.
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I had an excellent math and physics teacher in high school named T.C. Patel, and in the university, I had truly dedicated professors in both physics and mathematics who gave me a sound foundation with which to pursue graduate studies.
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I am not a method actor, though I studied for a year with Lee Strasburg.
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A lot of recent comic book adaptations have gone two ways: either they're striving for some kind of realism, like 'Iron Man' or 'The Dark Knight,' or they're very stylised and gritty, like 'Sin City' and '300.'
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I'm the kind of person who'll have a few drinks and fall asleep at 11.
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If you don't have anything nice to say, don't say it at all. And if you do have to say it, make it really funny so I can screenshot it and save it for later.
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You can't separate me from my upbringing as a child overcoming learning disabilities and having to make my way through that.
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I feel like so much of why I sort of want to work in television is so that people know to come see me live.
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We are not going to win because you have a new head coach, any more than you are going to fix a flat tire by changing the driver. We will win the minute all of us get rid of excuses as to why we can't win and stop wallowing in self-pity.
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To love oneself is to struggle to rediscover and maintain your uniqueness. It is understanding and appreciating the idea that you will be the only you to ever live upon this earth, that when you die so will all of your fantastic possibilities. It is the realization that even you are not totally aware of the wonders which lie dormant within yourself.
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In television there are only about 12 people who do what I do.
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The central question driving literary aesthetics in the age of the iPad is no longer 'How should novels be?' but 'Why write novels at all?'
