Sue Naegle Quotes
Quotes to Explore
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The important thing is having genuine regard for your audience.
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When you're still, and some actors are really brilliant at that, you bring a kind of energy to you as opposed to sending the energy out. There are some actors, like Gary Cooper or Kevin Spacey, that are absolutely brilliant - Gene Hackman is another - at being and allowing the audience to just do the work.
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I don't have a director. The audience directs me.
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When we tune in to an especially human way of viewing the landscape powerfully, it resonates with an audience.
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Trying to guess what the (mass) audience wants and then trying to satisfy that is usually a bad recipe for getting something good.
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I have this whole new audience now.
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If one marries out of necessity, he will have to reincarnate to reach the point where he wants to live only for God.
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I love the studio audience. That's where I feel the most at home. You know right away if you're being funny or not.
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Anytime you get an audience that's paying attention, you enjoy it more.
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My job playing Sam Malone was to let the audience in, to love my bar full of people. And that informed my life.
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No one can keep track of how many people use Internet, how many machines it can reach, or even how many sub- and sub-sub-networks form a part of it.
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The chemistry of a pair on screen is known only when the audience reacts to it.
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You know, when I put out records that may not work or connect with the audience, it's because I'm pushing myself as an artist creatively, because I'm just bored doing what everyone wants me to do.
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I have a genuine love affair with my audience. When I'm on stage they're not privileged to see me. It's a privilege for me to see them.
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The Internet is the ultimate vanity-publishing medium, and therefore, the ultimate place for those of us who like to watch. The Internet can reach an audience at lower cost than any medium before it.
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Let an audience be able to find it themselves without spoonfeeding it.
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If an American audience is given a serious musical theater piece that is well produced, dramatically gripping and wonderfully acted, they'll respond to it.
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I feel the audience has a right to know if some of the money they're spending is going to a certain cause, and reassuring them the money is going to where it's supposed to be going.
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I don't know why people are so surprised by my live performances. My approach is so simple; every song I sing, every story I tell, every move I make, must move the audience to laughter, tears or inspiration. Otherwise, why should I do it?
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Many audiences all over the world will answer positively from their own experience that they have seen the face of the invisible through an experience on the stage that transcended their experience in life. They will maintain that Oedipus or Berenice or Hamlet or The Three Sisters performed with beauty and with love fires the spirit and gives them a reminder that daily drabness is not necessarily all.
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I had kind of sworn off network TV a while ago.
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I'm always about, 'What is the most productive version of what I'm putting into the world?' Something that can be engaged by all folks. I don't have to change everyone.
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If I really had to pinpoint my happiest days out of the United States, I'd choose those Fifties military days in Britain, particularly my time in South Ruislip. I had a ball.
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Not every show needs to reach the same size of audience, or same width, of a 'Sopranos'.
