Hans Hofmann Quotes
A work of art is a world in itself reflecting senses and emotions of the artist's world.
Quotes to Explore
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I find it very difficult to say no when I'm in Ireland. You do end up going around doing lots of events and things and not getting work done, and it's not just a question of having hours at the desk.
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In America, there's a failure to appreciate Europe's leading role in the world.
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In some Old Testament books, it's very evident that an editor has been at work. That's quite all right. It's part of the process.
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My films do have characters who have trouble escaping the world around them.
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When you start to think about politicians, you've got to realize these are strange creatures. Other than the fact that they can't tell directions, and they have very strange breeding habits, how do you actually work with these things?
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To be honest, before I joined the industry, I knew very little about the fashion world, and I hardly knew any name brands. Probably because the price tags were a little too high, and home girl needed to work.
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Books are my art. The movie is someone else's art. But it's great marketing for books.
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From the sons of Ith, the first of the Gael to get his death in Ireland, there came in the after time Fathadh Canaan, that got the sway over the whole world from the rising to the setting sun, and that took hostages of the streams and the birds and the languages.
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We all present versions of ourselves. The person you are at work is not the same person you are at home. The face we present in our most intimate relationships is not the face we present to the world.
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I would love to win the Champions League once again. Winning big trophies like the Champions League or the World Cup is usually making people think, 'The players are not hungry any more.' Still, that's not what I feel.
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I can say I love working with women. Film is a man's world, and I really appreciate the opportunity to collaborate with women, especially young women.
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Out-innovating them is the way to beat China. And to do everything that we do in this country to support innovative policy, that drives innovation and new products and more jobs and creates jobs. You can't - you can't put a wall up around here. We tried that in the '30s. It didn't work.
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Like the United Nations, there is something inspirational about New York as a great melting pot of different cultures and traditions. And if this is the city that never sleeps, the United Nations works tirelessly, around the clock around the world.
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Fencing is a game of living chess, a match where reflexes only work in combination with intent, and mind and body must work together at every moment.
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I'm quite adept at writing two or sometimes even three stories at once. So if I get stuck on one story, I switch the next and let my subconscious work on unraveling any plot problems from another story.
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Let us remember: One book, one pen, one child, and one teacher can change the world.
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I've learned not to hide behind a veil of irony - to talk about my work in a more honest way.
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After studying art, I was a painter for a while and was asked to audition for a movie randomly. I hadn't thought of acting before that.
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Religion works. I know there's comfort there, a crash pad. It's something to explain the world and tell you there is something bigger than you, and it is going to be alright in the end. It works because it's comforting.
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No one would choose a friendless existence on condition of having all the other things in the world.
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We the Jainists of India say every day in our prayer, I worship all perfected souls, I worship all spiritual masters, I worship all spiritual instructors, I worship all holy men and women in the world.
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What first stuns the young writer emerging from college is that there is no clear-cut road for him to travel on. He must chop a path in the wilderness of his own soul, a disheartening process, lifelong and lonesome and therefore, of what use graduate work?
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The house itself is of minor importance. Its relation to the community is the thing that really counts.
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A work of art is a world in itself reflecting senses and emotions of the artist's world.
