Michel Gondry Quotes
I like to use a bit of chaos when I shoot. I think it may be something from the way I shot my first film - I was very scared, of course, and I prepared everything, I wanted to make sure that the characters did the right thing at the right time on the storyboard. But then I realised that in life, there is so much more than what you can predict or write in advance, that when you shoot the story, it's good to leave some gaps where you lose control. I think this combination of chaos and organisation gives a kind of quality.
Quotes to Explore
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I believe that pop culture is just, like, so ready for 'Watchmen.' We tried so hard to ride that wave between satire and reality, and all the things that make you still care about the character, but you don't miss the commentary about them.
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I think one of the reasons 'Gremlins' lasts and some other films don't is because I don't think the movie has a whole lot of dated things - sure, the cars, my hair, and few things here and there that date the movie - but it takes place in a sort of everytown, in a sorta non-specific time, and that gives the movie a timeless quality.
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In a play, you know where you start and end and all the stops you have to do, but in television, you can't construct this carefully planned out arc for your character. You often get a script and you're shooting it two days later, and you don't know what's going to happen next. It's one of the harder things that I've done.
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The Indian economy grew at 5.5 percent, but if you look at the last 30 years - for example, 1960 to 1985 - the progress made by East Asian countries was phenomenal. In a single generation they had been able to transform the character of their economy. They were able to get rid of chronic poverty.
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All good writing is swimming under water and holding your breath.
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I spent every night until four in the morning on my dissertation, until I came to the point when I could not write another word, not even the next letter. I went to bed. Eight o'clock the next morning I was up writing again.
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There's so much with my character in 'Dredd' that I identify with. She's my favorite character I think I've ever played. She's the most dynamic and fascinating woman that I could even imagine playing, so I love her. What I love about her is that her sensitivity is her greatest strength.
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The corporate Catch-22: Don't be flexible, lose good women; be flexible, lose good women... A company listening to women's desires for flexibility and therefore fewer promotions, giving fewer promotions to women, and then being sued for giving fewer promotions to women. Yiddish has a word for this: chutzpah.
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My publishers are wonderful because they have let me write what I wanted to. They're wise enough to know that, with any author who's not simply writing formulas - who's trying to create something new - pressuring them to do something for market purposes almost always backfires. I can't imagine working under those circumstances, actually.
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I occasionally play works by contemporary composers and for two reasons. First to discourage the composer from writing any more and secondly to remind myself how much I appreciate Beethoven.
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Every year, I looked forward to Oprah Winfrey's Favorite Things episode. I watched with my notebook computer in my lap so I could Google the items and order them for the friends and family on my holiday gift-giving list.
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Myself, I'm just a simple country boy who spent time on the streets and developed a style of writing and rapping and a cool sound that people seem to enjoy.
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I speak Mandarin and can read and write a little. I took a few classes at Harvard to get better in my reading and writing skills.
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I would ask to tweak stuff during the action, because I thought Elektra would more likely express herself with a slap, for example. I wanted to keep the characteristics of my character even during the fights and express the violence as she would do it, not like somebody else would.
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I'm not thinking about what needs to be on the radio. I'm not thinking about anything other than - I'm just going to let this music come out of me and not have any sort of preconceived notion of what I should do. I'm just going to do it.
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I loved 'Everybody Loves Raymond' because I like Ray and I thought it was beautifully cast, I thought it was great writing. I thought Patricia Heaton was wonderful.
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When I first started writing, I didn't write about scientists at all. I think I wanted a break from that part of my world.
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I love performing, and I love the idea of people buying records. I don't particularly like the idea of people knowing me or thinking they do, but that's a part of what I choose. I choose not to go to college; I choose to be a singer.
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Everyone in the South has no time for reading because they are all too busy writing.
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I will respect the limits of my experience but that won't stop me from trying to lead by example of my work. Being a good teammate and picking them up on and off the field is a simple goal of mine.
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I am a student of stupidity. I am a political reporter.
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I grew up loving to go to Price Club, and later Costco, with my parents.
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I find it so weird when the media calls me 'small screen super star.' I don't think I'm one!
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I like to use a bit of chaos when I shoot. I think it may be something from the way I shot my first film - I was very scared, of course, and I prepared everything, I wanted to make sure that the characters did the right thing at the right time on the storyboard. But then I realised that in life, there is so much more than what you can predict or write in advance, that when you shoot the story, it's good to leave some gaps where you lose control. I think this combination of chaos and organisation gives a kind of quality.
