Gary Allan Quotes
When my wife passed, I stopped doing interviews and I stopped doing meet-and-greets, mostly because I sort of became this suicide ambassador. Everybody wanted to tell me their story.

Quotes to Explore
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My wife said to me... you never understood what we were going through back home, did you? And I didn't. And I have to confess that.
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'Yellow Moon' was a poem. My wife at the time, Joel - she's dead now - it was our 25th anniversary. She had the chance to go on a cruise with her sister. And I'm home with the kids and looking up, and I saw the big moon, and I just started writing.
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I think shortly after I got signed, it just started to dawn on me that I had something to say and that Yahweh put something in my heart to share with the world.
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What can you do if a part of it is uphill? You can't work out another route. You've just got to run the one they give you. But they tell me London is a nice course. Even the cobbles, I hope, are not very much of a problem for me.
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Every story I create, creates me. I write to create myself.
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I was always an avid reader of books. My vocabulary, my English are all thanks to that reading habit. Reading keeps me grounded. I came from a very middle class family – poor, in fact.
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I wanted to bring people together, and most importantly not feel threatened when they came to watch me box.
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Honestly, there are so many things about structuring a story for film and telling a story for film that are really different from doing radio.
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The first two pictures I did, I played a young student in prep school. When I did Lifeguard, everyone was saying, You're so Southern California. It was a surprise to me.
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I wear my Viking helmet because the horns define how sharp my brains are. If you try to rub me the wrong way, I will stick you with both of my horns.
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I'm married, I have three children, I never hit my wife.
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The rule of joy and the law of duty seem to me all one.
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I think that's what art is about: to provoke you. It helps me make sense of a senseless universe because I become the god of the story. I create it, and I see it in all its lineaments in my own way and can control it – in a world in which everything else is out of control.
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Coming in and out of Hollywood for pilot season, I may have to thicken my accent or hear that, physically, I'm not Latino. I not only am, but there's another 50,000 people who look exactly like me.
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Narrative drives most of economics. Everything seems to be part of a story, and how that story is told often leads to critical error.
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I know from an editor's point of view or a publisher's point of view it's easier to slot me into a particular niche. But I know that I'd be bored unless I wrote a book that in some senses was a challenge.
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My mother taught me to read.
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When I was little, my grandmother would take me to church with her, and she would introduce me to people.
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I love the sharpness and political tone of RoboCop and I think that such a film is now urgently needed.
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The major driver of economics is the equilibrium approach, which has taken various forms over the years. General equilibrium is the statement that all the different parts of the economy influence each other, even if it's remote, like mortgage-backed securities and their demands on automobiles.
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When my wife passed, I stopped doing interviews and I stopped doing meet-and-greets, mostly because I sort of became this suicide ambassador. Everybody wanted to tell me their story.