Susanna Phillips Quotes
Planning is really important. Before you go into the studio, you need to decide what you want to accomplish. After singing a piece through completely, you can go back to work on smaller sections and then incorporate those into the final sing through of a work.
Quotes to Explore
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Sometimes I'd like to play the bad guy and sometimes I'd like to die in a movie.
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On matters of race, on matters of decency, baseball should lead the way.
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My defensiveness in life really helps me as a driver.
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When I was confronted with official tuition, the academic thing, I could see no relationship whatever between that and the music I'd been writing since I was 11.
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He passes from lyric to epic poetry in order to speak about the world and the torment in the world through man, rationally and emotionally. The poet then becomes a danger.
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As a child, my mother told me lots of fairy stories, many her own invention. She, too, tended to reverse the norm.
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London 2012 was the biggest thing I will probably ever do, but I didn't realise it at the time!
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It is better to have too much courtesy than too little, provided you are not equally courteous to all, for that would be injustice.
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Language usage always has a political context.
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People always think I hate doing interviews. I don't. I wouldn't do them if I didn't like them.
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When people discuss religion, it is a pity that they often become excited and argue. We should merely listen, as one does on a dark night; we should merely gaze at the stars.
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The artist who imagines that he puts his best into a portrait in order to produce something good, which will be a pleasure to the sitter and to himself, will have some bitter experiences.
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The feminists who are aware of the effects of patriarchy realize that we are all in the same boat from the dangers of patriarchy, and that the oppression of women is universal.
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I'm a New Wave baby, so I got very stimulated by foreign film.
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I was a student of Sanford Meisner for three years at the Neighborhood Playhouse, and I studied with Lee Strasburg for five years and became a member of the Actors Studio. What I studied came right from the horse's mouth. My students have a lot to learn from me, and I am so eager to share it.
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The ravaged face in the mirror hides the enchanting youth that is the real me.
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My stars and my stripes are your dream and your labors.
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I've done a lot of movies before 'Entourage,' and I hope to always have my movie career going. Maybe I could take on another TV show, too.
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Very often, if I know the orchestra doesn't know a piece or it's a new piece, I have main ideas about it. But then we start to play and I never talk about places where they played so beautiful and so clear in the beginning that there is nothing to say.
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I always thought being an artist was a lazy job. I was wrong.
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One of my all-time favourite guitarists is, in fact, a bassist - John Entwistle from The Who. He's one of my all-time favourites, the way he kind of expanded. I mean, he could have been a lead guitarist and been one of the best guitarists in the world. He wasn't even bass player; he was a bass guitarist, and he took the bass to another level.
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I'd been listening to some old '70s disco, soul stuff, and I thought, 'Let's go into the studio and do something different. Let's do something that's super unashamedly pop and fun and danceable.' 'Trouble' is what we did. It's something that wrote itself.
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Planning is really important. Before you go into the studio, you need to decide what you want to accomplish. After singing a piece through completely, you can go back to work on smaller sections and then incorporate those into the final sing through of a work.
