Suzanne Weyn Quotes
Quotes to Explore
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We want a story that starts out with an earthquake and works its way up to a climax.
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I've always loved massive worlds, whether in fantasy or science fiction. I like the idea of making my own rules as well as utilizing everything that I love or inspires me. It's very freeing to know you can write a story that can be as big as your own imagination.
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I had a financial page to write in the Mail on Sunday where I'd give tips on shares. I worked there for two and a half years. Nothing compares to the burst of energy felt on a newsroom floor when a big story breaks.
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Revision is the heart of writing. Every page I do is done over seven or eight times.
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Every story I create, creates me. I write to create myself.
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Narrative drives most of economics. Everything seems to be part of a story, and how that story is told often leads to critical error.
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When you read the Bible, you are reading the Holy Spirit and not history books. When you read history books, you are reading about events, but the Bible is not an event. So, when you are reading the Holy Spirit, you are supposed to be carried along by it.
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A young man who wishes to remain a sound atheist cannot be too careful of his reading.
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Book sales and teens reading is always a fantastic thing, but we should also be celebrating and consuming the huge wealth of U.K. and U.K.-based writing and illustrating talent. Authors such as Charlie Higson, Darren Shan, Holly Smale, Tanya Byrne, Catherine Johnson, Sophie Mckenzie, to name but a few.
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I wrote my first story when I was six or seven.
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We take men's obligation to earn money, and when they do it well, we blame them for having power and being oppressors. And when they don't do it all, women just don't marry men who are reading 'I'm Okay, You're Okay' in the unemployment line.
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Because I saw my parents relaxing in armchairs and reading and liking it, I thought it was a peaceful grown-up thing to do, and I still think that.
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I've been on this kick reading about the beginning of forensic science: autopsies, fingerprinting, psychological profiling. I've been reading a lot of books about forensic anthropology.
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The filmmaker's got to make it his story and the actors have got to make it their story.
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Poetry and lyrics are very similar. Making words bounce off a page.
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There are 36 ways to tell this story. And all of them are disgusting.
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Nothing more rapidly inclines a person to go into a monastery than reading a book on etiquette. There are so many trivial ways in which it is possible to commit some social sin.
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While some debate its helpfulness at generating monetizable traffic, when Digg points to a story, huge audience spikes quickly follow.
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First off, from reading the script and knowing that I was going to be apart of it, I'm a huge 'Wizard of Oz' fan so to be involved in something that was connected to the original books was really exciting for me and it was very different than anything I had ever worked on before.
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I have two favorites: Reading Kierkegaard while listening to Mozart's Piano Concerto 9 in E Flat Major, and reading early Bazooka Joe comics in Hebrew.
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Human affairs are so obscure and various that nothing can be clearly known.
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It might crush a lot of people, but I've never been in the room with an artist that I've written a song for.
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So much of writing is done alone in a room in sweatpants, with only the Internet for company.
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Turn the page, continue reading, and let the next story begin.
