Northrop Frye Quotes
-
The primary and literal meaning of the Bible, then, is its centripetal or poetic meaning.
-
Man lives, not directly or nakedly in nature like the animals, but within a mythological universe, a body of assumptions and beliefs developed from his existential concerns.
-
Advertising - a judicious mixture of flattery and threats.
-
Real unity tolerates dissent and rejoices in variety of outlook and tradition, recognizes that it is man's destiny to unite and not divide, and understands that creating proletariats and scapegoats and second-class citizens is a mean and contemptible activity.
-
The fable says that the tortoise won in the end, which is consoling, but the hare shows a good deal of speed and few signs of tiring.
-
I soon realized that a student of English literature who does not know the Bible does not understand a good deal of what is going on in what he reads: The most conscientous student will be continually misconstruing the implications, even the meaning.
-
It seems clear that the Bible belongs to an area of language in which metaphor is functional, and were we have to surrender precision for flexibility.
-
Wherever illiteracy is a problem, it's as fundamental a problem as getting enough to eat or a place to sleep.
-
The tricky or boastful gods of ancient myths and primitive folk tales are characters of the same kind that turn up in Faulkner or Tennessee Williams.
-
This story of loss and regaining of identity is, I think, the framework of all literature.
-
Literally, the Bible is a gigantic myth, a narrative extending over the whole of time from creation to apocalypse, unified by a body of recurring imagery that "freezes" into a single metaphor cluster, the metaphors all being identified with the body of the Messiah, the man who is all men, the totality logoi who is one Logos, the grain of sand that is the world.
-
What if criticism is a science as well as an art? Not a pure or exact science, of course, but these phrases belong to a nineteenth-century cosmology which is no longer with us.
-
No matter how much experience we may gather in life, we can never in life get the dimension of experience that the imagination gives us. Only the arts and sciences can do that, and of these, only literature gives us the whole sweep and range of human imagination as it sees itself
-
The Book of Revelation, difficult as it may be for "literalists," becomes much simpler when we read it typologically, as a mosiac of allusions to Old Testament prophecy.
-
Everything that happens in the Old Testament is a "type" or adumbration of something that happens in the New Testament, and the whole subject is therefore called typology, though it is a typology in a special sense.
-
The tremendous efficiency and economy of the book has once again demonstrated itself. It's the world's most patient medium.
-
One doesn't bother to believe the credible: the credible is believed already, by definition. There's no adventure of the mind.
-
The kind of problem that literature raises is not the kind that you ever 'solve'. Whether my answers are any good or not, they represent a fair amount of thinking about the questions.
-
Myths, as compared with folk tales, are usually in a special category of seriousness: they are believed to have "really happened,"or to have some exceptional significance in explaining certain features of life, such as ritual. Again, whereas folk tales simply interchange motifs and develop variants, myths show an odd tendency to stick together and build up bigger structures. We have creation myths, fall and flood myths, metamorphose and dying-god myths.
-
Literature as a whole is not an aggregate of exhibits with red and blue ribbons attached to them, like a cat-show, but the range of articulate human imagination as it extends from the height of imaginative heaven to the depth of imaginative hell.
-
It is clear that all verbal structures with meaning are verbal imitations of that elusive psychological and physiological process known as thought, a process stumbling through emotional entanglements, sudden irrational convictions, involuntary gleams of insight, rationalized prejudices, and blocks of panic and inertia, finally to reach a completely incommunicable intuition.
-
In our day the conventional element in literature is elaborately disguised by a law of copyright pretending that every work of art is an invention distinctive enough to be patented.
-
I don't see how the study of language and literature can be separated from the question of free speech, which we all know is fundamental to our society.
-
The objective world is the order of nature, thinking or reflection follows the suggestions of sense experience, and words are the servomechanisms of reflection.