Northrop Frye Quotes
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Work, as we usually think of it, is energy expended for a further end in view; play is energy expended for its own sake, as with children's play, or as manifestation of the end or goal of work, as in "playing" chess or the piano. Play in this sense, then, is the fulfillment of work, the exhibition of what the work has been done for.
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It is clear that all verbal structures with meaning are verbal imitations of that elusive psychological and physiological process known as thought, a process stumbling through emotional entanglements, sudden irrational convictions, involuntary gleams of insight, rationalized prejudices, and blocks of panic and inertia, finally to reach a completely incommunicable intuition.
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Historically, a Canadian is an American who rejects the Revolution.
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Our country has shown a lack of will to resist its own disintegration .. . Canada is practically the only country left in the world which is a pure colony; colonial in psychology as well as in mercantile economics.
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We must reject that most dismal and fatuous notion that education is a preparation for life.
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Physics is an organized body of knowledge about nature, and a student of it says that he is learning physics, not nature. Art, like nature, has to be distinguished from the systematic study of it, which is criticism.
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Man creates what he calls history as a screen to conceal the workings of the apocalypse from himself.
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No matter how much experience we may gather in life, we can never in life get the dimension of experience that the imagination gives us. Only the arts and sciences can do that, and of these, only literature gives us the whole sweep and range of human imagination as it sees itself
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Beauty and truth may be attributes of good writing, but if the writer deliberately aims at truth, he is likely to find that what he has hit is the didactic.
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We find rhetorical situations everywhere in life, and only our imaginations can get us out of them.
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One of the most obvious uses of literature, I think, is its encouragement of tolerance... Bigots and fanatics seldom have any use for the arts, because they're so preoccupied with their beliefs and actions that they can't see them also as possibilities.
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Myths, as compared with folk tales, are usually in a special category of seriousness: they are believed to have "really happened,"or to have some exceptional significance in explaining certain features of life, such as ritual. Again, whereas folk tales simply interchange motifs and develop variants, myths show an odd tendency to stick together and build up bigger structures. We have creation myths, fall and flood myths, metamorphose and dying-god myths.
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The operations of the human mind are also controlled by words of power, formulas that become a focus of mental activity.
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A person who knows nothing about literature may be an ignoramus, but many people don't mind being that.
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The most technologically efficient machine that man has ever invented is the book.
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Man is constantly building anxiety-structures, like geodesic domes, around his social and religious institutions.
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Characters tend to be either for or against the quest. If they assist it, they are idealized as simply gallant or pure; if they obstruct it, they are characterized as simply villainous or cowardly. Hence every typical character...tends to have his moral opposite confronting him, like black and white pieces in a chess game.
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The traveler from Europe edges into it like a tiny Jonah entering an inconceivably large whale, slipping past the straits of Belle Isle into the Gulf of St. Lawrence, where five Canadian provinces surround him, for the most part invisible... to enter Canada is a matter of being silently swallowed by an alien continent.
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The ups and downs of this cosmos may sometimes be acknowledged to be metaphorical ups and downs, but until about Newton's time most people took the "up" of heaven and the "down" of hell to be more or less descriptive.
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We have to look at the figures of speech a writer uses, his images and symbols, to realize that underneath all the complexity of human life that uneasy stare at an alien nature is still haunting us, and the problem of surmounting it still with us.
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In our day the conventional element in literature is elaborately disguised by a law of copyright pretending that every work of art is an invention distinctive enough to be patented.
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Literature begins with the possible model of experience, and what it produces is the literary model we call the classic.
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A public that tries to do without criticism, and asserts that it knows what it wants or likes, brutalizes the arts and loses its cultural memory. Art for art's sake is a retreat from criticism which ends in an impoverishment of civilized life itself.
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In literature, questions of fact or truth are subordinated to the primary literary aims of producing a structure of words for its own sake, and the sign-values of symbols are subordinated to their importance as a structure of interconnected motifs.