Northrop Frye Quotes
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Man creates what he calls history as a screen to conceal the workings of the apocalypse from himself.
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Myths, as compared with folk tales, are usually in a special category of seriousness: they are believed to have "really happened,"or to have some exceptional significance in explaining certain features of life, such as ritual. Again, whereas folk tales simply interchange motifs and develop variants, myths show an odd tendency to stick together and build up bigger structures. We have creation myths, fall and flood myths, metamorphose and dying-god myths.
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One of the most obvious uses of literature, I think, is its encouragement of tolerance... Bigots and fanatics seldom have any use for the arts, because they're so preoccupied with their beliefs and actions that they can't see them also as possibilities.
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The most technologically efficient machine that man has ever invented is the book.
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Physics is an organized body of knowledge about nature, and a student of it says that he is learning physics, not nature. Art, like nature, has to be distinguished from the systematic study of it, which is criticism.
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Beauty and truth may be attributes of good writing, but if the writer deliberately aims at truth, he is likely to find that what he has hit is the didactic.
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The simplest questions are the hardest to answer.
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Historically, a Canadian is an American who rejects the Revolution.
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A person who knows nothing about literature may be an ignoramus, but many people don't mind being that.
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Science fiction is a mode of romance with a strong inherent tendency to myth.
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We have to look at the figures of speech a writer uses, his images and symbols, to realize that underneath all the complexity of human life that uneasy stare at an alien nature is still haunting us, and the problem of surmounting it still with us.
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The traveler from Europe edges into it like a tiny Jonah entering an inconceivably large whale, slipping past the straits of Belle Isle into the Gulf of St. Lawrence, where five Canadian provinces surround him, for the most part invisible... to enter Canada is a matter of being silently swallowed by an alien continent.
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For the serious mediocre writer convention makes him sound like a lot of other people; for the popular writer it gives him a formula he can exploit; for the serious good writer it releases his experiences or emotions from himself and incorporates them into literature, where they belong.
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Our country has shown a lack of will to resist its own disintegration .. . Canada is practically the only country left in the world which is a pure colony; colonial in psychology as well as in mercantile economics.
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I don't see how the study of language and literature can be separated from the question of free speech, which we all know is fundamental to our society.
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We are being swallowed up by the popular culture of the United States, but then the Americans are being swallowed up by it too. It's just as much a threat to American culture as it is to ours.
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Work, as we usually think of it, is energy expended for a further end in view; play is energy expended for its own sake, as with children's play, or as manifestation of the end or goal of work, as in "playing" chess or the piano. Play in this sense, then, is the fulfillment of work, the exhibition of what the work has been done for.
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The operations of the human mind are also controlled by words of power, formulas that become a focus of mental activity.
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In our day the conventional element in literature is elaborately disguised by a law of copyright pretending that every work of art is an invention distinctive enough to be patented.
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Poetry can only be made out of other poems; novels out of other novels.
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Just as a new scientific discovery manifests something that was already latent in the order of nature, and at the same time is logically related to the total structure of the existing science, so the new poem manifests something that was already latent in the order of words.
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The supremacy of the verbal over the monumental has something about it of the supremacy of life over death.
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We find rhetorical situations everywhere in life, and only our imaginations can get us out of them.
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The ups and downs of this cosmos may sometimes be acknowledged to be metaphorical ups and downs, but until about Newton's time most people took the "up" of heaven and the "down" of hell to be more or less descriptive.