Teju Cole Quotes
At the emergence of the modern novel with Rabelais and Cervantes, all kinds of things were possible in a long-form prose work. Within a couple of hundred years, most of those possibilities were abandoned in favor of a text that efficiently transmitted sentiments.
Quotes to Explore
-
A lie with a purpose is one of the worst kind, and the most profitable.
-
I hate violence, yes I do. It's kind of a dilemma, huh?.
-
Even though my dad was a manager in the minor leagues, I still traveled around with him and saw it from the field out. Now, as an owner, you're kind of looking from the whole baseball activity from outside in, from a fan's perspective.
-
The rivalry between the Montague and the Capulet kids seems very modern to me. Juliet is a free spirit, full of untapped love and passion. I think a lot of girls can relate to her. And it's very relevant in terms of kids defying their parents.
-
I'm kind of obsessed with wedges, but I go to a regular high school, so I'm not going to be wearing Vera Wang there.
-
To get ready to climb Everest, I did a lot of hill running with a daypack on and a lot of underwater swimming. I would swim a couple of lengths underwater and then a couple above. It gets your body going with limited oxygen.
-
Most people have excellent necks. Now they cover them with curtains, which is kind of ridiculous. But there are some beautiful necklines that you can cut into and create wonderful backs, as well as bone structure for the face.
-
Well, actually, I manage a couple of stock portfolios or funds or whatever you want to call 'em, and I think I've done relatively well with them.
-
I grew up in Oregon so I grew up around reservations, so I've always kind of had this knowledge. Not a tremendous amount of knowledge, but an outsider's knowledge of what reservation life was like.
-
He drove his kind of realism at me so hard I bounced right into nonobjective painting.
-
Not all cops are bad, but this kind of harassment has been going on for years in the ghetto.
-
I was happy to kind of always scoot under the radar.
-
I don't know that many Australian actors in Los Angeles, but there are a few of us. I mean, we kind of get together occasionally, but I wouldn't say it's an alliance or anything like that.
-
'Reinventing the Bazaar,' by John McMillan, is a great and fun introduction to the wild variety and importance of markets throughout history and around the world. I finally understood how a Middle Eastern souk actually works economically and how to compare that to modern-day telecom-spectrum auctions. I love that book.
-
I've led a very isolated existence since I was 6 years old. It's kind of been me and my mind.
-
I grew up listening to a lot of Malaysian pop music, which is kind of like a mixture of traditional and pop... I was also listening to a lot of English music as well.
-
As an author on a corporate press, you have a lot less control over the finished product. I figure if I spend a couple years writing something, I want to be able to decide what the cover looks like and how it's going to be presented.
-
I started out as a very young girl in Hollywood doing westerns portraying a mother with a couple of kids.
-
See, it's kind of like James Bond. There's a new James Bond every couple of years. Maybe I can do the new 'MacGyver' and put my own twist on it.
-
I've always had a massive fascination with the modern day cowboys. Modern day outlaws or going against the system, and that's always been very intriguing to me.
-
One of the greatest experiences I ever had was listening to a conversation with Joni Mitchell and Wayne Shorter. Just to hear them talking, my mouth was open. They understand each other perfectly, and they make these leaps and jumps because they don't have to explain anything.
-
For me, managing my energy means slowing myself down before the big event. I slow down the racing thoughts in my mind. I concentrate on and slow down my breathing. I listen to and steady my heart rate.
-
Let God and all his creation teach you what your sins are.
-
At the emergence of the modern novel with Rabelais and Cervantes, all kinds of things were possible in a long-form prose work. Within a couple of hundred years, most of those possibilities were abandoned in favor of a text that efficiently transmitted sentiments.
