Raphael Saadiq Quotes
It's the adrenaline rush you only get from being in front of an audience. It's addictive.
Quotes to Explore
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I just enjoy being onstage and relating to the audience.
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An actor is somebody who communicates someone else's words and emotions to an audience. It's not me. It's what writers want me to be.
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The important thing is having genuine regard for your audience.
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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I much prefer doing comedy. I get a little paranoid when the audience is not laughing.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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I don't think about who the audience is for my books.
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You as an audience can look at these things as films, but I remember them as social experiences.
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The audience has always been my best director.
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I'm just very pleased and thankful that there was a receptive audience of people that I was able to connect with.
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Trying to guess what the (mass) audience wants and then trying to satisfy that is usually a bad recipe for getting something good.
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I've always been really involved in figuring out who my audience is and how to reach them.
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It is important to keep the filmmakers interested in you so they can offer you everything and anything. We actors are not given work on the basis of audience poll; the filmmaker will cast you after they see and like your work. It is essential to do different kind of films and not get typecast.
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Anytime you get an audience that's paying attention, you enjoy it more.
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I like working on stage because there's something very immediate about it, that interaction with an audience where you immediately hear their reaction, or feel them, whether they're with you.
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Interestingly, it is often the younger members of the audience who ask the most sophisticated questions.
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My job playing Sam Malone was to let the audience in, to love my bar full of people. And that informed my life.
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I wasn't trying to be a role model with 'The Dutchess,' but suddenly, seeing little girls in the audience with their moms made me think about what I do onstage a little bit more. I had to watch my mouth, because it can be filthy. It changed things for me.
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I feel the audience has a right to know if some of the money they're spending is going to a certain cause, and reassuring them the money is going to where it's supposed to be going.
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The personal boundaries, I think for comedians they're a little bit different anyway, but I think people - feel free to do stuff - It's interesting with comedians because when we walk on stage, oftentimes we're talking about ourselves for an hour and we're talking about very intimate details, so after hearing us for an hour, a lot of people feel very comfortable with us because they feel like they know us and they're our friends because we just told them our innermost secrets and details of our lives for an hour. What they forget is we know absolutely nothing about the audience.
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Love-making is an art which must be studied.
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It's the adrenaline rush you only get from being in front of an audience. It's addictive.
