Raphael Saadiq Quotes
It's the adrenaline rush you only get from being in front of an audience. It's addictive.
Quotes to Explore
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I just enjoy being onstage and relating to the audience.
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An actor is somebody who communicates someone else's words and emotions to an audience. It's not me. It's what writers want me to be.
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The important thing is having genuine regard for your audience.
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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I much prefer doing comedy. I get a little paranoid when the audience is not laughing.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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So many songs are just a wink to the audience, but people take them seriously. 'My Humps?' C'mon!
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I don't think about who the audience is for my books.
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You as an audience can look at these things as films, but I remember them as social experiences.
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The audience has always been my best director.
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I'm just very pleased and thankful that there was a receptive audience of people that I was able to connect with.
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Trying to guess what the (mass) audience wants and then trying to satisfy that is usually a bad recipe for getting something good.
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I've always been really involved in figuring out who my audience is and how to reach them.
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Anytime you get an audience that's paying attention, you enjoy it more.
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Interestingly, it is often the younger members of the audience who ask the most sophisticated questions.
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My job playing Sam Malone was to let the audience in, to love my bar full of people. And that informed my life.
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I wasn't trying to be a role model with 'The Dutchess,' but suddenly, seeing little girls in the audience with their moms made me think about what I do onstage a little bit more. I had to watch my mouth, because it can be filthy. It changed things for me.
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I would have probably stolen cars – it would have given me the same adrenaline rush as racing.
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Where I think that 3D will fall apart is going to be as audiences now get treated to incredibly artistic utilizations of space. I think the films that are just sort of done as 3D transfer type films, the audience will perceive the difference in that.
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I almost never try to make the audience comfortable. I wouldn't want that if I were in the audience.
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You paint what you know best; what you went through as a teenager and child. My world is the one I got to know in Medellin; I never paint anything else other than that.
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Life is a cutup. And to pretend that you write or paint in a timeless vacuum is just simply . . . not . . . true, not in accord with the facts of human perception.
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There are certain things we must not pray about - moods, for instance. Moods never go by praying, moods go by kicking.
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It's the adrenaline rush you only get from being in front of an audience. It's addictive.
