Raheem DeVaughn Quotes
When you make timeless music - and I like to think that's what I'm doing - the fun part is picking the songs. You can clip and flop and mix and match, and when the record is timeless and it feels good, you know it's going to have the same appeal whether you put it out now or 10 years from now. That's what I'm about.
Quotes to Explore
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I think the show does better with newsmakers and politicians than it does with actors.
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Marriage is a very good thing, but I think it's a mistake to make a habit out of it.
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I think a British icon is someone who conducts themself with real dignity: someone who is truly talented and modest. These are things that I would aspire to in my career.
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I'm not a very big fan of 'Slumdog Millionaire.' I think it's visually brilliant. But I have problems with the story line. I find the storyline unconvincing.
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A confident woman is a sexy woman, in my opinion. And I think guys find that to be the same way.
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I think the fossil fuel industry is genuinely freaked out by the combination of the price collapse, the divestment movement, and that fact that renewable energy is getting so cheap so fast.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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I think legally we have to do 'fun' with a period. I think we agreed because apparently there was another band called 'fun.' We Google-searched, which now makes sense because we're so impossible to Google-search.
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I think the Matrix effect is over-used and I don't do it anymore.
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I always have plans to return to the stage. I leave myself very open. I think what would be more likely is if I did a limited run of something, whether it be a play or a musical.
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If we didn't get the record, we didn't exist.
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I think I've paid my dues. I've really put in a lot of time on set.
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I think sci-fi films have become rather bleak, and understandably so - I think we've made some big mistakes globally with how we're developing, and we deal with that guilt by creating these very dystopian futures in films.
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Reading a Lydia Davis story collection is like reaching into what you think is a bag of potato chips and pulling out something else entirely: a gherkin, a pepper corn, a truffle, a piece of beef jerky.
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I think music should be experienced by people all ages.
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I think of all my movies as home movies! It's just that some are more expensive than others.
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I constantly think I'll be found out any second. Some of the crazy stuff that goes through your head. Once you've moved on from the scene, that's it: it's going in the telly and there's nowt you can do about it! It's really scary.
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I like my country, but I don't think like an Italian. It's a complex, complicated difficult country to make things happen in.
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It is disconcerting to sit with your parent and find you're turning over your future to your government, which can't manage their money.
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Remorse, the fatal egg that pleasure laid.
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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I really do feel now that the way I dress onstage and for work is a true reflection of my own sense of style as well.
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Do justice to your brother, and you will come to love him. But do injustice to him because you don't love him, and you will come to hate him.
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When you make timeless music - and I like to think that's what I'm doing - the fun part is picking the songs. You can clip and flop and mix and match, and when the record is timeless and it feels good, you know it's going to have the same appeal whether you put it out now or 10 years from now. That's what I'm about.
