Nina Agdal Quotes
I want girls to be able to relate to me, and I think that's why a lot of commercial clients like me: because I'm just like everyone else.
Quotes to Explore
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If you're an actress or a musician, everyone thinks you're hot.
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I promise to do everything I can to earn back the trust of everyone I've disappointed.
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Be candid with everyone.
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I never thought then I'd be doing what I'm doing now. At my high school, being on the girls soccer team was the cool thing to do, but that was definitely never going to happen for me, so I played music. Not because everyone thought it was awesome, but for the love of it.
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In Europe and Sweden, we see boobs on TV, and it's not a big deal. Everyone has them; everyone has seen them.
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Everyone at a party is uncomfortable. Knowing that makes me more comfortable.
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Whenever I went to a wedding or a party, girls kept complaining about their shoes. I love to dance, and I wanted them to have shoes they could keep on all night.
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Everyone knows that metaphors are important, yet we have no idea why.
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My favorite TV show is probably 'Glee.' I'm a Gleek, like everyone else!
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Almost everyone will find something in our services worth paying for.
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I don't care who you are or what you have gone through - everyone has something they are fighting for.
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'The Hunger Games' has something for everyone.
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I'm not the type of person who thinks up a joke and has to tell everyone.
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You can't understand Twenties England until you appreciate it was under a cloud of mourning. Nearly everyone was grieving.
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If you were to ask everyone what 'Hamlet' was about, they might say, "It's about a prince, and he says, 'To be or not to be.'"
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My biggest advice for girls – and this is something that I wish I could have known when I was younger – is to have thick skin. It's something that you definitely develop when you get older, but when I first started, I was so obsessed with pleasing everybody. I wanted everybody to like me and to like my songs.
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We cheer everyone who goes off to Hollywood and tells American stories but telling Australian stories is the greatest thing you can do.
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I write a world where everyone is partly right.
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In order for a musician to grow, he's got to pay his dues. Some musicians ask me, 'well, what do you mean? You're saying I have to 'starve' and pay all these dues just to play jazz?' And my answer to them is, well, to some degree, yes! Because in order to play jazz you have to live it. Those notes mean something. They don't just come from your brain, they come from your heart and soul too. And in order to have that heart and soul you have to experience life. So I relate my music to my life and my life style. You can't separate the two.
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I know what it takes to put on a good show for the fans.
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No, I am a crier and if people ever saw me privately they would be shocked at what a bowl of mush I am underneath it all.
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Soap operas are like boot camps for film actors, so I really learned a lot. It was a masterclass in working for camera. I made myself watch myself every day. I would sort of try and be objective about it and critique myself a little. There's a lot more skill set than people realize in soap operas. They shoot, like, 35 scenes a day.
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A trick for looking taller is to wear a top and pants in the same color family - and to hide heels underneath the pants!
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I want girls to be able to relate to me, and I think that's why a lot of commercial clients like me: because I'm just like everyone else.
