Terry Brooks Quotes
THE NAME OF THE WIND marks the debut of a writer we would all do well to watch. Patrick Rothfuss has real talent, and his tale of Kvothe is deep and intricate and wondrous.
Quotes to Explore
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Back in the mid '90s, I went to a film festival, and they were airing 'Central Park West' at the same time as this cute little romantic comedy movie called 'French Exit,' and I got to go from one theater where I was goofy, falling over myself, to this kind of evil vixen kind of character.
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Nobody can be exactly like me. Even I have trouble doing it.
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I'm not an American, but I have this weird connection to America in different ways through my dad living here for five years, my godfather being an American who I'm very close to.
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There is something not entirely satisfying about an online memorial.
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I am sometimes sad when I hear the personal stories of Tibetan refugees who have been tortured or beaten. Some irritation, some anger comes. But it never lasts long. I always try to think at a deeper level, to find ways to console.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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A writer without a reader doesn't exist.
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A lot of times on tour it's about, 'OK, where am I today? Wow, I'm in Costa Rica. What is their famous dish?' And it's about trying the food, and really experiencing it.
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I was advised by an American agent when I was about 19 to change my surname.
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I try to get away and take my motorcycle on a ride whenever I can. I'll take my bike out before the show and just cruise.
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Dictionaries are always fun, but not always reassuring.
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In nature there are few sharp lines.
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I know I'm happy and can't wait to see where my career will go next. This isn't the end for any of us. I can understand why they are upset but I want them to move forward and look for the future.
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I just love writing. It's magical, it's somewhere else to go, it's somewhere much more dreadful, somewhere much more exciting. Somewhere I feel I belong, possibly more than in the so-called real world.
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When I was young I had an apprenticeship as an engineer.
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I danced with Jacques d'Amboise. At that time, he was the tallest man in the company. So it was a different kind of choreography. It was lyrical.
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You can be powerful without being loud and aggressive.
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I mean, I haven't been completely lacking in some enjoyment of Chuck Berry or Buddy Holly. But I just didn't pay attention to that period of music, obviously.
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At any rate, I can only see such a success having positive effects for everyone, particularly as our anticipation of the World cup would only increase further.
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My parents were lured to America by the democracy here promised. In our family, freedom was a word to conjure by. Hoping for larger privileges for the growing family of children, they brought them to the New World, the world of many intellectual as well as material advantages.
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leave such mistakes for time to set right. And when the truth comes in such a case it comes to some purpose.
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I've never turned into a bee - I've never been chased by a mummy or met a ghost. But many of the ideas in my books are suggested by real life.
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When your dawn theater sounds to clear your sinuses: don't delay. Jump. Those voices may be gone before you hit the shower to align your wits. Speed is everything. The 90-mph dash to your machine is a sure cure for life rampant and death most real. Make haste to live. Oh, God, yes. Live. And write. With great haste.
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THE NAME OF THE WIND marks the debut of a writer we would all do well to watch. Patrick Rothfuss has real talent, and his tale of Kvothe is deep and intricate and wondrous.
