Terry Brooks Quotes
THE NAME OF THE WIND marks the debut of a writer we would all do well to watch. Patrick Rothfuss has real talent, and his tale of Kvothe is deep and intricate and wondrous.
Quotes to Explore
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Back in the mid '90s, I went to a film festival, and they were airing 'Central Park West' at the same time as this cute little romantic comedy movie called 'French Exit,' and I got to go from one theater where I was goofy, falling over myself, to this kind of evil vixen kind of character.
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Nobody can be exactly like me. Even I have trouble doing it.
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I'm not an American, but I have this weird connection to America in different ways through my dad living here for five years, my godfather being an American who I'm very close to.
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There is something not entirely satisfying about an online memorial.
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I am sometimes sad when I hear the personal stories of Tibetan refugees who have been tortured or beaten. Some irritation, some anger comes. But it never lasts long. I always try to think at a deeper level, to find ways to console.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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A writer without a reader doesn't exist.
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A lot of times on tour it's about, 'OK, where am I today? Wow, I'm in Costa Rica. What is their famous dish?' And it's about trying the food, and really experiencing it.
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I was advised by an American agent when I was about 19 to change my surname.
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I try to get away and take my motorcycle on a ride whenever I can. I'll take my bike out before the show and just cruise.
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Dictionaries are always fun, but not always reassuring.
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In nature there are few sharp lines.
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I know I'm happy and can't wait to see where my career will go next. This isn't the end for any of us. I can understand why they are upset but I want them to move forward and look for the future.
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I just love writing. It's magical, it's somewhere else to go, it's somewhere much more dreadful, somewhere much more exciting. Somewhere I feel I belong, possibly more than in the so-called real world.
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When I was young I had an apprenticeship as an engineer.
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I danced with Jacques d'Amboise. At that time, he was the tallest man in the company. So it was a different kind of choreography. It was lyrical.
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I am not taking anything for granted.
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You can be powerful without being loud and aggressive.
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I mean, I haven't been completely lacking in some enjoyment of Chuck Berry or Buddy Holly. But I just didn't pay attention to that period of music, obviously.
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Self-dealing, essentially, occurs when managers run companies to line their own pockets instead of those of the companies' owners. It's been a perennial problem in American capitalism and became a real dilemma when America moved toward a model in which corporations would be run by professional managers who had only small ownership stakes.
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There's nothing better than that feeling of new chemistry when you're so into someone, and you could care less about what anyone else thinks... and there's butterflies! It's a real feeling that people experience.
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It'll take a while for all those strange old books that I love to show up on digital: books that aren't current bestsellers but aren't public-domain freebies, either.
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Hopefully there will be a day when all comedy is all robots.
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THE NAME OF THE WIND marks the debut of a writer we would all do well to watch. Patrick Rothfuss has real talent, and his tale of Kvothe is deep and intricate and wondrous.
