Terry Eagleton (Terence Francis "Terry" Eagleton) Quotes
It is in Rousseau's writing above all that history begins to turn from upper-class honour to middle-class humanitarianism. Pity, sympathy and compassion lie at the centre of his moral vision. Values associated with the feminine begin to infiltrate social existence as a whole, rather than being confined to the domestic sphere.
Quotes to Explore
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I always try to keep a little bit of space in the year to work with other people. Because I love doing musicals, films and plays - projects where I'm not in charge, where I've got somebody else telling me what to do and I have to work with their vision.
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Yes, there is a terrible moral in 'Dorian Gray' - a moral which the prurient will not be able to find in it, but it will be revealed to all whose minds are healthy. Is this an artistic error? I fear it is. It is the only error in the book.
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I guess I went into journalism to save the world. I always felt through writing that I wanted to rotate the world slightly.
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One thing I've tried to do in writing music is take on very basic things, very archetypal things.
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One of the pleasantest things about book writing is that sometimes it brings one in touch with old friends.
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I think issues and substance, policy and vision and record should be the meat of politics.
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I studied philosophy, religious studies, and English. My training was writing four full-length novels and hiring an editor to tear them apart. I had enough money to do that, and then rewriting and rewriting and rewriting.
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I mean, the wonderful thing about writing a book is that you're getting a finished product at the end of the day. You're communicating directly with the reader.
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The moral turpitude of the boys of today appears to center in their failure to concentrate on any particular objective long enough to obtain their maximum results.
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After all these years of cooking and writing recipes, I am still amazed every time I notice how even the minutest of variation in technique can make a spectacular difference.
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Yoga helps me with a composed and serene state of mind, which is good for writing.
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Writing for children isn't easy. Kids will abandon a story that doesn't interest, enchant, delight, thrill, or terrify them. But when you can find a way into a young reader's imagination through something as simple as words on paper, well, there's nothing more satisfying.
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In my mind, the plays I was writing were extreme examples of art for art's sake. I didn't necessarily think that other people would love them, though I thought they probably would.
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I can't imagine what it would be like to write in a relaxed state. I'm going to be writing some stories for my own interest. I want to experiment with different things and see if I can approach writing with much less control and in a better psychological state. It will be like breaking out of a straitjacket.
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I had a novel in the back of my mind when I won an Ian St James story competition in 1993. At the award ceremony an agent asked me if I was writing a novel. I showed her four or five chapters of what would become 'Behind the Scenes at the Museum' and to my surprise she auctioned them off.
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When I was younger, I avoided exercise or anything strenuous. I didn't even enjoy walking. As I got older, I spent so much time marking books or sitting at a desk writing that there was no room for exercise - not that I would have bothered anyway.
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When I begin writing, I have no idea what my novels are ultimately going to be about. I don't have a plot. I never consider a theme. I don't make notes or outlines.
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When I started writing it was kind of hard getting people to do my stuff. They' say they couldn't do my style.
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I have no desire to write anything for screen. That's a great talent.
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I started second-guessing myself and was always questioning myself. I have really learned a lot.
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I keep drawing inspiration from people every day. All of a sudden, something strikes me so hard and dramatically, and then a dream comes - I sit down, cut it off and make a script out of it.
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My whole family is lactose intolerant and when we take pictures we can't say cheese.
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Cancer will be with me for the rest of my life, be it as a nodule, tumor or cell someplace, or in my fears and anxieties.
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It is in Rousseau's writing above all that history begins to turn from upper-class honour to middle-class humanitarianism. Pity, sympathy and compassion lie at the centre of his moral vision. Values associated with the feminine begin to infiltrate social existence as a whole, rather than being confined to the domestic sphere.
