Terry Eagleton (Terence Francis "Terry" Eagleton) Quotes
It is in Rousseau's writing above all that history begins to turn from upper-class honour to middle-class humanitarianism. Pity, sympathy and compassion lie at the centre of his moral vision. Values associated with the feminine begin to infiltrate social existence as a whole, rather than being confined to the domestic sphere.
Quotes to Explore
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I always try to keep a little bit of space in the year to work with other people. Because I love doing musicals, films and plays - projects where I'm not in charge, where I've got somebody else telling me what to do and I have to work with their vision.
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Yes, there is a terrible moral in 'Dorian Gray' - a moral which the prurient will not be able to find in it, but it will be revealed to all whose minds are healthy. Is this an artistic error? I fear it is. It is the only error in the book.
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I guess I went into journalism to save the world. I always felt through writing that I wanted to rotate the world slightly.
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With sitcom writing, you're trying to write stories.
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One thing I've tried to do in writing music is take on very basic things, very archetypal things.
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One of the pleasantest things about book writing is that sometimes it brings one in touch with old friends.
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I think issues and substance, policy and vision and record should be the meat of politics.
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Personal relationships are usually my biggest inspirations for writing my songs. The best way for me to write a song is to visualise the story in my head, and I start humming a melody, and before you know it, a song is born.
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I studied philosophy, religious studies, and English. My training was writing four full-length novels and hiring an editor to tear them apart. I had enough money to do that, and then rewriting and rewriting and rewriting.
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I mean, the wonderful thing about writing a book is that you're getting a finished product at the end of the day. You're communicating directly with the reader.
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The moral turpitude of the boys of today appears to center in their failure to concentrate on any particular objective long enough to obtain their maximum results.
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After all these years of cooking and writing recipes, I am still amazed every time I notice how even the minutest of variation in technique can make a spectacular difference.
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Yoga helps me with a composed and serene state of mind, which is good for writing.
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Writing for children isn't easy. Kids will abandon a story that doesn't interest, enchant, delight, thrill, or terrify them. But when you can find a way into a young reader's imagination through something as simple as words on paper, well, there's nothing more satisfying.
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I wouldn't say one is easier or more difficult, but when you're inside a costume and a mask, you have to endure heat - and, often, difficulty seeing. The vision is not very good in a mask. And you have to cope with that, as well as trying to think about this character.
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In my mind, the plays I was writing were extreme examples of art for art's sake. I didn't necessarily think that other people would love them, though I thought they probably would.
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I can't imagine what it would be like to write in a relaxed state. I'm going to be writing some stories for my own interest. I want to experiment with different things and see if I can approach writing with much less control and in a better psychological state. It will be like breaking out of a straitjacket.
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I've heard directing talked about as being a benign dictatorship, and I think that's probably the best way a director should be. They're open to collaboration and feedback from people, but ultimately, it's got to be that one person's vision. That's what I think makes a film really stand out.
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It’s funny how the good things are all tied up with the bad. Sometimes it’s hard to tell which is which. But either way, you end up taking your sugar with your salt and your kicks with your kisses.
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For in the theoretical field bourgeois economics no longer engages in blithe and joyous fights.
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I walked inside Macy’s and faced the pathetic spectacle of a department store full of shoppers, none of whom were shopping for themselves. Without the instant gratification of a self-aimed purchase, everyone walked around in the tactical stupor of the financially obligated.
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Morality is not properly the doctrine of how we may make ourselves happy, but how we may make ourselves worthy of happiness.
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It is in Rousseau's writing above all that history begins to turn from upper-class honour to middle-class humanitarianism. Pity, sympathy and compassion lie at the centre of his moral vision. Values associated with the feminine begin to infiltrate social existence as a whole, rather than being confined to the domestic sphere.
