Eunice Kathleen Waymon (Nina Simone) Quotes
I applied for a scholarship to Curtis Institute of Music in Philadelphia. I knew I was good enough, but they turned me down. And it took me about six months to realize it was because I was black. I never really got over that jolt of racism at the time.
Quotes to Explore
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Don't send funny greeting cards on birthdays or at Christmas. Save them for funerals, when their cheery effect is needed.
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I was in the military, and then I went to university to study biology.
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It's really hard for me, every day, to confront my writing. It never gets easier over time.
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In basic training we had been told to watch out for Japanese spies.
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Fans can never accuse R. Kelly of doing the same thing; I keep mixing it up.
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When you get to 15 and most of your teachers are priests, there's bound to be a conflict.
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I can not stay at the place when a stranger starts talking to me. I will try to cut the speech as quick as possible and move away. I had to break this inhibition before becoming an actor.
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Many people in Hungary acted shamefully during World War II.
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We need to come up with use cases for this technology that drive clear benefits for individuals and institutions - these are our customers. Too often we see bitcoin and blockchain technologies as solutions in search of a problem. We don't just need these systems to be technically better than the alternatives - we need them to be more user-friendly.
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There's something extraordinary about selling millions and millions of albums.
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There is no conclusive proof of Unidentified Flying Objects flying over India-China border.
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If you've ever had a coworker actively interfere with your productivity, try to make you look bad, steal your ideas, or give you false information, you've been the victim of undermining.
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In an open society, no idea can be above scrutiny, just as no people should be beneath dignity.
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The male corporate model is built on a man's greater willingness to be a slave of sorts - especially once he has to provide for children.
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Ideas come from all over, but as I write more and more, I find I'm always hunting for mood: I want to write a novel with a pervasive mood that sticks with you after you close the cover.
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I would like my architecture to inspire people to use their own resources, to move into the future.
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I am a lucky man. I have had a dream and it has come true, and that is not a thing that happens often to men.
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I have a record as governor. I have a record of cutting spending. And I talked yesterday not only about we ought to cut spending, I talked about how we've cut spending in Mississippi and how if you did the same things in the federal government, you would save tens of billions of dollars a year.
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Studying whether there's life on Mars or studying how the universe began, there's something magical about pushing back the frontiers of knowledge. That's something that is almost part of being human, and I'm certain that will continue.
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I use Maybelline New York Great Lash Mascara. Thanks to my mother, I have really long lashes, so I've never had to use too much product. I've used this mascara since I was 15, and it's the only one I use. A lot of people think I wear extensions, but nope, I just apply lots of mascara because it's the one thing that makes me feel pretty!
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There is something sublime about its aloofness from and its indifference to its external environment.
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It is thus necessary that the individual should finally come to realize that his own ego is of no importance in comparison with the existence of the nation, that the position of the individual is conditioned solely by the interests of the nation as a whole.
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Acknowledging the realities of structural and institutional racism is hard for conscionable white people. It might ask them to consider how they're personally implicated, or have gained from systems that have oppressed and rejected others. It might require them to take a next step. It's easier to say, "I don't see race," or to dismiss the Black Lives Matter movement as structureless and theatrical than to embrace and promote its most basic premise, which is to believe that black lives have worth.
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I applied for a scholarship to Curtis Institute of Music in Philadelphia. I knew I was good enough, but they turned me down. And it took me about six months to realize it was because I was black. I never really got over that jolt of racism at the time.
