Nina Totenberg Quotes
What's really amusing is that you see - when you look at everybody's statements that - on both sides of the aisle, they've talked out of both sides of their mouth, depending on who's in power and who's not.
Quotes to Explore
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I talk every day about doing the right thing.
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Virtually every major technology has an initial spike of interest, then a dip, and then a long-term rise to success. The dot-com bubble is the canonical example, but there are many more.
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I was very good in all the maths and sciences.
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Ultravox were the blueprint for what I wanted to do, but I stumbled across them by accident.
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Mankind is not a circle with a single center but an ellipse with two focal points of which facts are one and ideas the other.
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I love to smile.
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It is remarkable how easily children and grown-ups adapt to living in a dictatorship organised by lunatics.
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I never follow anybody's path, what they've done.
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A wise human would have an understanding of the supply chain and how the pieces fit together. But it's against our nature to think about it.
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If I've learned one thing, it's 'don't tell the truth.' Lies keep you together.
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It seems like when I first started, people got into comedy because they wanted to be good comedians.
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I am attracted by almost any French word - written or spoken. Before I knew its meaning, I thought 'saucisson' so exquisite that it seemed the perfect name to give a child - until I learned it meant 'sausage!'
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Our cells engage in protein production, and many of those proteins are enzymes responsible for the chemistry of life.
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I think sometimes when you play those extra shifts, it gets you into the game a little bit more and gets you a little bit more involved.
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I charged into something which might have been a tree, but was not-being, in point of fact, Jeeves.
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I stuck my dick in this game like a rapist. They call me 'Slim Roethlisberger'!
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Judge: Do you want Mr. Bryan sworn?
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At this point we find ourselves confronted by a very disquieting question: Do we really wish to act upon our knowledge?
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The genre of horror is really just a way to manage much larger, much more terrifying realities in our daily worlds.
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It blows my mind that you get Shakespeare where the 'low' comedy characters have got Northern or Welsh accents.
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in general, I feel most comfortable between known quantities.
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He's looking for the president's kidnapped daughter; everybody he calls on to help him is busy, but lo and behold, you look across the room, and I'm waiting for that action.
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I like the power and versatility of a big band and how an orchestra can vary the dynamics from very loud to very quiet, and SNJO covers those bases.
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What's really amusing is that you see - when you look at everybody's statements that - on both sides of the aisle, they've talked out of both sides of their mouth, depending on who's in power and who's not.
