Norman Jewison Quotes
Look, I'm just a storyteller. When I make a film, I never want the film to become a vehicle of social propaganda.
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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When it's time to film and to actually take on the role of Precious, I felt an immense responsibility to do it justice.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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You have to understand that you are not making the film for yourself; you're making it for the audience. If I am asking my audiences to buy tickets, I owe them the worth of their money, and I owe them entertainment.
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I'm extremely particular how my look should be in a film.
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Going to the movies was a big event in my youth. My father would be the initiator – he'd have me put on a jacket to see a film.
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
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Loud peace propaganda makes war seem imminent.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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My role as Ewan McGregor's girlfriend in the film 'Incendiary' ended up on the cutting-room floor, but at least I had two brilliant days of acting with Ewan.
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When you're struggling to get a feature film off the ground, there's no big overarching tenure plan or anything like that.
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All art is propaganda, and ever must be, despite the wailing of the purists. I stand in utter shamelessness and say that whatever art I have for writing has been used always for propaganda for gaining the right of black folk to love and enjoy. I do not care a damn for any art that is not used for propaganda.
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I love film. I've always been enchanted by doing film. It's something I grew up watching - classics and directors I admire - so that's something I've always been passionate about.
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If the money's right, I'll do a film.
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A big budget studio film is slower, they've got so much to create around you. Everything is more complicated.
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Film is much more visual, a scene is typically a lot shorter, you're dealing with a lot more characters, a lot more locations, and you're able to rely on things that you just can never do on the stage.
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Truth is, generally I like film festivals; somewhere at some level there's an exchange of ideas.
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Firestarter' was a risk, we had never done a fully vocal track before and Keith had never sung before. It was hardly the safe option. We could have turned out the same old tunes over and over again, but that's not what The Prodigy are about. We are about taking risks.
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Human curiosity, the urge to know, is a powerful force and is perhaps the best secret weapon of all in the struggle to unravel the workings of the natural world.
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First of all, it is clear that our efforts in Korea can blunt the will of the Chinese Communists to continue the struggle. The United Nations forces have put up a tremendous fight in Korea and have inflicted very heavy casualties on the enemy. Our forces are stronger now than they have been before. These are plain facts which may discourage the Chinese Communists from continuing their attack.
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Look, I'm just a storyteller. When I make a film, I never want the film to become a vehicle of social propaganda.
