Norman Jewison Quotes
Look, I'm just a storyteller. When I make a film, I never want the film to become a vehicle of social propaganda.
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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Stax was rejoicing in the difference in who we are, and that's what you see in the film.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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When it's time to film and to actually take on the role of Precious, I felt an immense responsibility to do it justice.
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The entertainment medium of film is particularly tuned to the present imaginations of people at large. A lot of fiction is intensely nostalgic.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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You have to understand that you are not making the film for yourself; you're making it for the audience. If I am asking my audiences to buy tickets, I owe them the worth of their money, and I owe them entertainment.
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I'm extremely particular how my look should be in a film.
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Going to the movies was a big event in my youth. My father would be the initiator – he'd have me put on a jacket to see a film.
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I make sure that whatever film I do, I enjoy my role.
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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I read a lot of plays as a kid, but I didn't see that many plays, so I feel better-versed in film history and film structure. I just think it's easier to think in pictures.
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Loud peace propaganda makes war seem imminent.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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My role as Ewan McGregor's girlfriend in the film 'Incendiary' ended up on the cutting-room floor, but at least I had two brilliant days of acting with Ewan.
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When you're struggling to get a feature film off the ground, there's no big overarching tenure plan or anything like that.
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All art is propaganda, and ever must be, despite the wailing of the purists. I stand in utter shamelessness and say that whatever art I have for writing has been used always for propaganda for gaining the right of black folk to love and enjoy. I do not care a damn for any art that is not used for propaganda.
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I love film. I've always been enchanted by doing film. It's something I grew up watching - classics and directors I admire - so that's something I've always been passionate about.
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You can draw inspiration from anything. If you're a good storyteller, you can take a dirty look somebody gives you, or if a guy you used to have flirtations with starts dating a new girl, or somebody you're casually talking to says something that makes you so mad - you can create an entire scenario around that.
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I've never seen a great military, political, or corporate leader who was not a great storyteller. Telling stories is a core competency in business, although it's one that we don't pay enough attention to.
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I have long felt that the way to keep children out of trouble is to keep them interested in things.
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The quest for freedom, dignity, and the rights of man will never end.
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Indeed, the most important part of engineering work-and also of other scientific work-is the determination of the method of attacking the problem, whatever it may be, whether an experimental investigation, or a theoretical calculation. ... It is by the choice of a suitable method of attack, that intricate problems are reduced to simple phenomena, and then easily solved.
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Look, I'm just a storyteller. When I make a film, I never want the film to become a vehicle of social propaganda.
