Will Ferrell Quotes
When I first started doing sketch comedy, I promised myself that if I were ever to have any success in this business, I wouldn't hold back. Why get there and play it safe?
Quotes to Explore
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There are a lot of guys who play in pro-style offenses who are not prepared when they come out of college. Either you're coaching the quarterback to be a quarterback, or you're not.
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I would love to play a regular guy in a family drama.
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There was really a snobbery from people in film - they did not want people who had come from television. It was the poor relation of show business, and especially situation comedy.
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I have never been to a museum in Hong Kong, or a movie or a play. I've never gone club-hopping. I've never taken the tram to Victoria Peak.
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'Last Man Standing' is overall a lot of comedy. And I love doing that.
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My wide eyes make me look much younger without make-up, and although it's fun to have a line in innocence corrupted, I doubt I'll get to play the vampy vixen or a Hedda Gabler or Lady Macbeth.
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Unless it's a flat-out farce, an actor can't play comedy on film.
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I'm still very much a believer in the spontaneity of certain kinds of writing. But then you have to eventually, when you're writing a long play, make adjustments along the way - all kinds of adjustments.
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There's comedy even in tragedy. There's comedy in life. And in 'Castle', we go for that comedy.
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When you have 13 horns, and one is soloing, you have 12 people to play the richest, fullest chord you could ever imagine behind that solo.
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You cannot play naive if you're not.
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To get to play someone who was in some capacity the King of Harlem, that meant something to me. Deep within my bones. I was inspired by the energy that I knew to be a real thing.
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If you feel irritated by the absurd remarks of two people whose conversation you happen to overhear, you should imagine that you are listening to a dialogue of two fools in a comedy.
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A lot of actors are like, 'Why do I do this? My character wouldn't do this? This doesn't make sense.' And in a comedy, you kind of just need to walk into the door.
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I want to be able to infuse some youthful energy and comedy while appreciating the generations before.
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I love doing drama as much as I love doing comedy.
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I feel like my comedy voice is to take the news and everything that's happening and put a funny spin on it or to pick out the things I find funny about it.
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I was lucky to develop in the U.K. because I find comedy - in addition to being caustic - it's quite literary over here, and alternative comedy isn't so alternative.
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Teams tend to fold if you come out and play hard in the beginning.
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In England, the referees don't call many fouls, as opposed to Spanish football. Consequently, you must be really strong all through the 90 minutes.
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And I guess what I would say is that we can't think narrowly about movements for black liberation and we can't necessarily see this class division as simply a product or a certain strategy that black movements have developed for liberation.
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I'm not an escapist, but the value of language is that it can create places that did not exist before. And so language for me doesn't reflect the world, it extends the world, so that it becomes larger and more fantastic and less mired in this school shooting bullshit. It actually builds a future - that's how evolution occurs.
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I have been in countries where I don't know a word of the language. I tried to practice my French as much as possible. I would talk with the crew. I always order in French, but then waiters respond in English. I hate that.
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When I first started doing sketch comedy, I promised myself that if I were ever to have any success in this business, I wouldn't hold back. Why get there and play it safe?
