Will Ferrell Quotes
When I first started doing sketch comedy, I promised myself that if I were ever to have any success in this business, I wouldn't hold back. Why get there and play it safe?
Quotes to Explore
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There are a lot of guys who play in pro-style offenses who are not prepared when they come out of college. Either you're coaching the quarterback to be a quarterback, or you're not.
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It took me a lot of years on the 'Burnett' show to feel like I had earned the privilege to play in the sandbox with the grown-ups.
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I would love to play a regular guy in a family drama.
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There was really a snobbery from people in film - they did not want people who had come from television. It was the poor relation of show business, and especially situation comedy.
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I have never been to a museum in Hong Kong, or a movie or a play. I've never gone club-hopping. I've never taken the tram to Victoria Peak.
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'Last Man Standing' is overall a lot of comedy. And I love doing that.
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My wide eyes make me look much younger without make-up, and although it's fun to have a line in innocence corrupted, I doubt I'll get to play the vampy vixen or a Hedda Gabler or Lady Macbeth.
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Unless it's a flat-out farce, an actor can't play comedy on film.
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I'm still very much a believer in the spontaneity of certain kinds of writing. But then you have to eventually, when you're writing a long play, make adjustments along the way - all kinds of adjustments.
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There's comedy even in tragedy. There's comedy in life. And in 'Castle', we go for that comedy.
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When you have 13 horns, and one is soloing, you have 12 people to play the richest, fullest chord you could ever imagine behind that solo.
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You cannot play naive if you're not.
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To get to play someone who was in some capacity the King of Harlem, that meant something to me. Deep within my bones. I was inspired by the energy that I knew to be a real thing.
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If you feel irritated by the absurd remarks of two people whose conversation you happen to overhear, you should imagine that you are listening to a dialogue of two fools in a comedy.
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A lot of actors are like, 'Why do I do this? My character wouldn't do this? This doesn't make sense.' And in a comedy, you kind of just need to walk into the door.
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I want to be able to infuse some youthful energy and comedy while appreciating the generations before.
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I love doing drama as much as I love doing comedy.
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I feel like my comedy voice is to take the news and everything that's happening and put a funny spin on it or to pick out the things I find funny about it.
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I was lucky to develop in the U.K. because I find comedy - in addition to being caustic - it's quite literary over here, and alternative comedy isn't so alternative.
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It is a wonderful tribute to the game or to the dottiness of the people who play it that for some people somewhere there is no such thing as an insurmountable obstacle, an unplayable course, the wrong time of the day or year.
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I've got some incredible fans actually - so loyal and they make me birthday cards and Christmas cards. I got this package of poems and artwork based around the songs. They've got this thing called 'Floetry' where they all have to put in artwork. They've set up their own competitions and stuff which is kind of amazing.
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I just really want to do good work and work with some great people, people who challenge me.
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The individual comes face-to-face with a conspiracy so monstrous he cannot believe it exists. The American mind has not come to a realisation of the evil which has been introduced into our midst. It rejects even the assumption that human creatures could espouse a philosophy which must ultimately destroy all that is good and decent.
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When I first started doing sketch comedy, I promised myself that if I were ever to have any success in this business, I wouldn't hold back. Why get there and play it safe?
