Theo de Raadt Quotes
I don't know if there's enough vision. Industry wide, the apathy regarding this recent problem is already setting in - shiny things are happening elsewhere, people are forgetting.
Quotes to Explore
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Age for me is just a number.
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I'm very interested in the idea of unusual museums, ones that are not necessarily contemporary art museums - more like historical collections or house museums.
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Most of the most important experiences that truly educate cannot be arranged ahead of time with any precision.
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I love taking chances.
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It's easy not to bribe. But it's not so easy to keep a business running at the same time.
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Kings will be tyrants from policy, when subjects are rebels from principle.
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When you innovate, you've got to be prepared for everyone telling you you're nuts.
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Maybe the bike is more dangerous, but the passion for the car for me is second to the bike.
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'Westworld' is bizarre. I don't know what to think of 'Westworld.'
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I never limit myself when it comes to telling stories; I think people can see that in my body of work. It's just about, 'What's a great story? Is it unique? Is it a challenge?'
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A heck of a lot more accountability comes from individuals or the church doing it than the government, that signs off on helping people at 5 o'clock, because it comes from the heart, not from a badge or a mandate.
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A country without borders is not a country.
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I've spent a lot of time trying to understand how all the big cosmetics companies get away with the placebo science and unscientific claims.
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The most frightening thing about playing Dick Gregory is I've never done stand-up before, and I had to learn how to be a stand-up comedian, which was a bit of a challenge.
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Snohetta promotes a more democratic workplace atmosphere than most other architectural offices. This may merely reflect prevalent employment practices in Scandinavia, but Snohetta places a stronger emphasis on group participation in the design process than typical high-style firms.
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No. --Claire Bullshit! Yes, a world of yes. --Eve
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It's not that I'm so smart, it's just that I stay with problems longer.
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If one cannot invent a really convincing lie, it is often better to stick to the truth.
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The opportunities I've had to play really complex characters - which haven't been a lot, but some - you never get over them.
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I don't make a lot of distinctions between things like landscape or figure painting, because to me the problems are inherently the same - lighting, color, structure, and so on - certainly traditional and ordinary problems.
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I don't know if there's enough vision. Industry wide, the apathy regarding this recent problem is already setting in - shiny things are happening elsewhere, people are forgetting.
