Will Self Quotes
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I can't remember who it was who advocated that you should march with the left and dine with the right but I've often concurred, taking the view that I personify the great tolerance of Britain by consenting to being regally entertained. Besides, there is a degree of truth in the view that while the left are worthier, the right are wittier.
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What fiction offers us is an intimacy shorn of the messy contingencies of human existence - gender, race, class or age. Those moments of transcendence when we exclaim "You know exactly what I mean!" depend for much of their force on the anonymous character of the intimacy between writer and reader.
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I don't think in terms of that bizarre tautology 'value for money' in my literary and journalistic work - and nor will I in my academic role. However, if I don't believe I'm helping my students towards a fuller and more empowering relationship with the world, then I'll resign.
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To attempt to write seriously is always, I feel, to fail - the disjunction between my beautifully sonorous, accurate and painfully affecting mental content, and the leaden, halting sentences on the page always seems a dreadful falling short.
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We've clearly entered a period in which the analog of text is no longer important or relevant. All text will be electronic. I accept that fact. My house has thousands of books in it, and I've started to look at them completely differently. They now seem to me to be like antiquarian objects. Their use value has become negligible to me because I'm perfectly happy to read on an e-reader.
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Ideologists of all kinds find a strange sort of comfort in the madness of the crowd; it confirms them in their suspicion that history, far from being made by the great mass of individuals - as Marx averred - is rather unmade by a single massive individual, a collective Other, who stands in stark contrast to you and he.
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I enjoy doing very high mileages, partly out of masochism and also because I like to feel the shape of the landscape.
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There's a flip side to having prominent public intellectuals, which is that they start meddling in politics and often with quite disastrous results.
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I'm very happy for whatever plaudits might come the way of my work, but I never ever sit down to write x with y in view - whether it's a reader, a prize or a sale.
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As for critical writing about modernism, its moments of lucidity are but fulgurations illuminating the dark and incomprehensible landscape of its subject's unabashed difficulty.
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You may have gathered that I am not the most cheerful of revellers - some characterise me as the death and soullessness of any party but it wasn't always so, believe me.
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The life of the professional writer - like that of any freelance, whether she be a plumber or a podiatrist - is predicated on willpower. Without it there simply wouldn't be any remuneration, period.
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Whenever I produce my best work, it's always because I've spent time being idle. Something always emerges after nothing.
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The whole aesthetics of computers very much feeds into my OCD. They fill my head with obsessionalities and my actions become very repetitive. It seems quite inimical to the dreamy state out of which fiction comes which seems so much less causally repetitive than the way one works on computers.
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I'm an anarchist. I'm implacably opposed to heirarchical systems of power and control. I also mistrust crowds, as they often operate according to their lowest common denominator. In terms of evolutionary psychology, the crowd is very close to a herd of stampeding wildebeest.
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Not only is the statistical madness an assault on individuality, it's also one on temporality too. Statistics - even when accurate - are only an image of the past that can then be Photoshopped before being pasted on to the future.
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Without a shadow of doubt, Trafalgar Square has to be one of the most crap urban public spaces in the world.
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The high arts of literature and music stand in a curious relationship to one another, at once securely comfortable and deeply uneasy - rather like a long-term marriage.
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I'm going to end up like one of those old weirdos who lives in a network of tunnels burrowed through trash - yet I do not fear this.
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If the seventies were bulbous, and the eighties sharp, the nineties were nothing but bogus.
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So I was smacked up on the Prime Minister's jet – big deal.
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I think I now understand why it is that the young are so very nostalgic. They have so little by way of personal history that they polish it up and make it shine like a treasured heirloom.
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Many of my works fall into the category of "Zeitgeist novels." Yet I hope that they aren't only reportage, but also attempts to convey the sense of the present to the future.
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Live life and write about life. Of the making of many books there is indeed no end, but there are more than enough books about books.