Will Self Quotes
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Of course, with well-masticated food playing the role of social glue, it's absolutely essential that everyone clear their plate. Sod the starving kiddies in Africa - it's the overfed ones here we need to worry about. Will Self
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Without a shadow of doubt, Trafalgar Square has to be one of the most crap urban public spaces in the world.
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I think I now understand why it is that the young are so very nostalgic. They have so little by way of personal history that they polish it up and make it shine like a treasured heirloom.
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Many of my works fall into the category of "Zeitgeist novels." Yet I hope that they aren't only reportage, but also attempts to convey the sense of the present to the future.
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If the seventies were bulbous, and the eighties sharp, the nineties were nothing but bogus.
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The fictional work is a kind of actor that wears a satirical garb but can put on other costumes as well.
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Just as the blurring between childhood and adulthood has produced the kidult, so the stretching of middle into old age has fostered another peculiar chimera: septuagenarians with apoptosis sporting the depeche mode.
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My novels tend to come about from a fusion of two big ideas, creating a critical mass that then fissions, throwing off hundreds of other particles, riffs, tropes and characters.
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I used to find myself goofed out in the street on drugs. And I had such a bad problem with addiction at the time that I didn't mind. I was dealing cocaine and shooting up a lot of cocaine. And that's not a good space to be in.
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I write because I feel driven to write. I write from a sense of inner necessity. I don't write for anything other than that.
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As a writer, I'm not convinced that we are the best equipped to understand how we go about the business of literary production.
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The novelist, quite rightly, fears the psychoanalyst as both an enemy and a usurper.
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Modernism has a reputation for being a forbidding phenomenon: its visual arts disconcertingly non-representational, its literary efforts devoid of the consolations of plot and character - even its films, it's argued, fall well short of that true desideratum: entertainment.
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Don't look back until you've written an entire draft, just begin each day from the last sentence you wrote the preceeding day. This prevents those cringing feelings, and means that you have a substantial body of work before you get down to the real work which is all in . . . The edit.
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Whatever respect photography may once have deserved is now superfluous in view of its own superfluity.
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I'd rather fiddle with my phone for precious seconds than neglect an apostrophe; I'd rather insert a word laboriously keyed out than resort to predictive texting for a - acceptable to some - synonym.
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When George VI - displaying a flair for timing that was utterly absent in his lifetime - upped and died, the way was clear for her to inhabit her logical position as the eminence cerise, the bolster behind the throne.
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I write as someone who has no more time for repressive Islam than he does for repressive Christianity or Judaism, but at least look at the face in the hijab - and try to imagine the one beneath the niqab - before you depersonalise its wearer.
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In truth, even if they have an imperfect insight into their own methods, I still slightly mistrust writers of fiction who are assured literary critics; it makes me suspect that they favour the word over the world it should describe. Such scribes fall victim too easily to the solecism of equating style with morality.
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Lives don't divide up into chapters. People don't just talk, while nothing's going on in their head, and then respond. You know, none of these things actually happen.
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Some people have human muses - mine is a city. I feel a startling ambivalence towards London, but for better or worse my work has come utterly to depend upon it.
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Most of us have had that experience - at around puberty - of realising that, despite whatever efforts we put into our chosen sports, we will become at best competent.
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What more chilling indictment of the modern world is there than this: that the condition of the smartphone user is that of a dumb animal. Moooo!
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I think of writing as a sculptural medium. You are not building things. You are removing things, chipping away at language to reveal a living form.