Amelia Barr Quotes
All changes are more or less tinged with melancholy, for what we are leaving behind is part of ourselves.
Quotes to Explore
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The modern tradition is the tradition of revolt. The French Revolution is still our model today: history is violent change, and this change goes by the name of progress. I do not know whether these notions really apply to art.
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I think it's a natural human tendency, when you read something, you tend to read a lot of your prejudices into it. And neuroscience is like a lot of disciplines - it has fashions; things change.
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Writing about the future and the past is less a way of dramatizing change than of showing, by way of contrast, what abides.
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We have a structural problem because you can simultaneously understand the medium to long-term risks of climate change and also come to the conclusion that it is in your short-term economic interest to invest in oil and gas. Which is why, you know, anybody who tells you that the market is going to fix this on its own is lying to you.
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I'm always about, 'What is the most productive version of what I'm putting into the world?' Something that can be engaged by all folks. I don't have to change everyone.
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Don't change a thing. That's one of the best gimmicks a band could ever come up with.
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My parents' divorce made an important change in my life. It affected me.
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The secret of doing well on TV is to understand that it's not too important. A lot of people watching doesn't change anything.
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Middle age is when your broad mind and narrow waist begin to change places.
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People are clamoring to hear good ideas as opposed to the lesser of two evils... Either the Democrats are going to win or the Republicans are going to win, but the losers are all of us out here as citizens that really do want meaningful change, and none of it's happening. There's no dialogue regarding meaningful change.
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Information, education, skills, healthcare, livelihood, financial inclusion, small and village enterprises, opportunities for women, conservation of natural resources, distributed clean energy - entirely new possibilities have emerged to change the development model.
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For a movie, you have to make sure the lyrics are consistent with the rhythm that is given to you. But, at times, during the song's recording, you find out that your words are not appropriate for the track, and so you have to change them.
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The curious paradox is that when I accept myself just as I am, then I can change.
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Let the message go out - a new generation has taken charge of Labour which is optimistic about our country, optimistic about our world, optimistic about the power of politics. We are optimistic and together we will change Britain.
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The coming together of like-minded individuals through action is what's needed to see wide spread change for us, our planet and its creatures.
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My scientific work is much more practically minded - to change something, to effect something. And the music I do is much more soft power, about changing minds.
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Ethics and equity and the principles of justice do not change with the calendar.
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There have been times I've planted stuff in songs where four years later I'll be singing it from a subconscious, kind of chameleon little lizard mind... and at a certain moment, all of a sudden, I'll hear a line from a different vantage point and it'll change its meaning. It's something I wrote but it changed because I did.
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Our most surprising finding was a white spot in the left frontal lobe of the cortex, in a region called Broca’s area. In this case the change in color meant that there was a significant decrease in that part of the brain. Broca’s area is one of the speech centers of the brain, which is often affected in stroke patients when the blood supply to that region is cut off. Without a functioning Broca’s area, you cannot put your thoughts and feelings into words.
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I came in on the decline. Phil Elliot was in first, he got his book out, he sold thirteen thousand, I think he got two issues out before I got mine in, this was March '87. He was out in December '86.
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As I had visualized, 'Heroine' is shaping up to be a very contemporary film with a different premise and strata. This film, like most of my other films, is a blend of facts and fiction. The film has a larger span, more characters, and costumes... a journey that revolves around an actress's life and the showbiz.
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All changes are more or less tinged with melancholy, for what we are leaving behind is part of ourselves.
