Amelia Barr Quotes
Quotes to Explore
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Fiction reveals truth that reality obscures.
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Writers of fiction, when they begin, are more likely to try the short form.
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What I hate in fiction is when the author knows better than the characters what they should do.
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I tend to resist invitations to interpret my own fiction.
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Writers of historical fiction are not under the same obligation as historians to find evidence for the statements they make. For us it is sufficient if what we say can't be disproved or shown to be false.
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A man's face is his autobiography. A woman's face is her work of fiction.
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I love science fiction.
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Right from the very beginning, I knew I wanted to write palpably Scottish fiction.
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'The Wire' really drew on a lot of real-life situations and real-life organizations - it created fiction to make a social statement about reality.
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There is no longer any such thing as fiction or nonfiction; there's only narrative.
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Hollywood wants to go for the flash, because that's what a lot of them think science fiction is.
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If utopian fiction became the new trend, I wouldn't read it.
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If there were a better, clearer, shorter way of saying what the fiction says, then why not scrap the fiction?
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I don't think Pulp Fiction is hard to watch at all.
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'Harry Potter' made it cool to read children's fiction, and 'Twilight' did the same for a slightly older age group. What I'm seeing is mothers and daughters who love to read the same books.
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The idea of a flip book still really appeals to me. That idea of fiction and non-fiction.
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In really, really good science fiction, the line between the science and the fiction is blurry.
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I think most fiction focuses on uncomfortable settings because that's interesting.
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Fiction writing is a twenty-four-hou r-a-day occupation. You never leave your work behind. It is always with you, and to some extent, you are always thinking about it. You don't take your work home; your work never leaves home. It lives inside you. It resides and grows and comes alive in your mind.
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But I suppose there's a lot to see everywhere, if only you keep your eyes open.
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Lionel Essrog, the twitching, barking, gabbling narrator of Jonathan Lethem's new novel, 'Motherless Brooklyn,' is no movie-of-the-week novelty grafted onto a noir mystery. Maybe his Tourette's is a gimmick, but it's a gimmick with depth, with soul.
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You just need to be a flea against injustice. Enough committed fleas biting strategically can make even the biggest dog uncomfortable and transform even the biggest nation.
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... if fiction does not show us a better life than reality, what is the good of it?