Ayushmann Khurrana Quotes
It is a conscious choice to go for content-driven scripts because that is the key for any film to work. There are no two ways about it, and I have always been attracted to great content.

Quotes to Explore
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I fell in love with doing yoga.
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Emotional messiness is my reason for life. In acting, it's so important.
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Adults are locked into car payments and divorces and work. They haven't got time to think fresh.
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The only thing that I discovered very early on is that, even though we might change schools and cities and towns and states, the books in the library were the same. They had the same covers. They had the same characters. I could go and visit those people in the library as if I knew them.
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I want to be judged by who I am, not by a relationship.
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Food-wise, oh man, I tend to really indulge on vacation because a lot of my friends are incredible chefs. One friend makes an eggplant parmesan that is heavenly and melts in your mouth, and another makes a chocolate pudding that I can't resist.
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I love it when a guy compliments my vibe.
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Failure will never overtake me if my determination to succeed is strong enough.
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Accept what people offer. Drink their milkshakes. Take their love.
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The sinews of art and literature, like those of war, are money.
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I loved school so much that most of my classmates considered me a dork.
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Years are not important, my dear.
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To be honest, I would never have imagined myself acting on a sitcom that I didn't write.
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When I was in my teens I had issues with OCD.
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One of my books, 'Rain Falling on My Face,' earned me the 39th Edogawa Ranpo prize. It's a very prestigious literary prize in Japan, mostly for mysteries and thrillers.
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Britain is a textbook case of how growing inequality leads to economic crisis. The years before the crash were marked by a sharp rise in remortgaging and the growth of 0 percent balance transfer credit cards. By 2008 the UK had the highest ratio of household debt to GDP of any major economy.
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Playing Shakespeare requires technique. You don't play a Bach toccata by getting in the mood.
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Being a parent is very important to me.
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The risk of a terrorist victory is greater when in fighting terror, democracy betrays its own essence.
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When I was a child, I loved 'The Marble Faun' by Nathaniel Hawthorne. The reason I liked it was because it had a beautiful binding. When you're a kid, you like books because they're pretty to look at, and this one had a white calfskin cover and gold edges. That was enough to make me love it.
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The gruesomeness of 'Death Line' was an absolute necessity for me to bring up the political content of the film. I wanted to show how devastating class distinction could be.
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Parents should be allowed to choose which cable or satellite channels - sources of the most extreme content - come into their homes.
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If I get two lines in the script, I somehow turn it into 20. I've got a bit of a bad habit of doing that, of just embellishing my little moment.
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It is a conscious choice to go for content-driven scripts because that is the key for any film to work. There are no two ways about it, and I have always been attracted to great content.