Willard Van Orman Quine Quotes
For me the problem of induction is a problem about the world: a problem of how we, as we are now (by our present scientific lights), in a world we never made, should stand better than random, or coin-tossing chances changes of coming out right when we predict by inductions. . . .
Quotes to Explore
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Directors are our teachers, and I'm always craving to work with a great director. They're pretty much the first thing that interests me about a project. Let's put it this way: It'll take me a lot longer to read a script if there's no director attached.
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Each age has deemed the new-born year the fittest time for festal cheer.
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You don't go out and change your gender for a television show, O.K.? It ain't happening. I don't care who you are.
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I didn't write the book to sell the book, but to tell my experiences.
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Shooting is very challenging because 10 metre air rifle you have different rules, short gun you have different rules.
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I was mostly an indoor girl at university. Where other students did drama or music or sport alongside their degrees, I wrote. I used to work on essays and classwork during the day and 'The Bone Season' in the evenings.
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Part of being a top-20 firm is mind-share.
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When I was really young, I wanted to grow up and be the sun. Which shows an early penchant for ambition or narcissism or grandiosity or delusion - all of which are bellwethers for becoming a writer.
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I keep wondering at night, 'Will I have a bank the next morning, or will some technology company be doing banking without needing a bank?'
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I like writing idealistically, romantically and swashbucklingly.
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We all have our strengths and our failings.
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I can go back to poverty if a situation comes. I have sailed through the worst days of my life, and I am prepared for any crisis.
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I'm not a rock singer and I don't want to be a rock singer. I'm not interested. It doesn't seem to get across.
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As we continue to step up our investment in education, we must not sidestep our commitment to the principle of local control.
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If you look at a lot of the songs I've been involved in, there's always been this retro vibe. I started getting worried that I wasn't moving forward very much, nor was I even in tune with the music today. I almost scoffed at it.
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Attempting to get at truth means rejecting stereotypes and cliches.
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My granddad was a hard worker, and my dad is, too. It was instilled in me as a kid. I never got pocket money; I had to earn it. I had two paper rounds before school, not just one. Wherever I worked, whether it was at football, in the pub, I'd do whatever was asked of me - and more.
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[M]ere knowledge of the truth will not give you the art of persuasion.
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I hate being called a pop star. I hate that.
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I never imagined I could make it to the top of Mount Everest at age 80. This is the world's best feeling, although I'm totally exhausted. Even at 80, I can still do quite well.
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It might be argued that genuine spontaneity is not really possible or desirable so long as printed scores of great works exist. All modern musicians are, for better or worse, prisoners of Gutenberg.
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Any story has a beginning, middle, and end, of course, but the question is, where do you start it exactly? It's about a guy who is murdered in a fistfight, but how does it evolve and what does it mean? That's what I discovered scene by scene, and this innovation of coming in as a first-person narrator was a complete surprise to me. It just happened.
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For me the problem of induction is a problem about the world: a problem of how we, as we are now (by our present scientific lights), in a world we never made, should stand better than random, or coin-tossing chances changes of coming out right when we predict by inductions. . . .
