Mike Leigh Quotes
I think Michael Caine is a perfectly good actor but it's obvious he's not going to be in one of my films.
Quotes to Explore
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Film has played such a big part in my life, in my impressions of the United States.
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My character in 'Batman v Superman' isn't supposed to be Japanese, but director Zack Snyder said he'd seen me in 'Wolverine' and had to get me in the film somehow. Hearing that was like music to my ears.
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That's what film can do in a way that TV and other long-form storytelling can't. It gives you this very immersive moment.
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Film has always been a really good tool for me to communicate emotion about why I create a collection. I'm probably one of the first designers to make short films.
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As far as actors go, you're not going to find many ballplayers better than me.
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I will only do a Hollywood film when there is something special offered to me.
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Our feature film, 'Crouching Tiger, Hidden Dragon Two,' has a built-in fan base from the original film.
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You have to understand that you are not making the film for yourself; you're making it for the audience. If I am asking my audiences to buy tickets, I owe them the worth of their money, and I owe them entertainment.
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The film industry is mostly about unidimensional characters.
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The film depends on the audience's belief in this relationship.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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I write for somebody who has my own limitations. My reader has a certain difficulty with concentrating, which in my case comes from being a film viewer.
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I come from a culture where you don't divide it up to what you can do on TV and what you can do on film.
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I love moments in film where there's no dialogue, and somebody communicates something with a look that kills you. That's why I love going to the cinema.
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I was actually sacked from my first job. It was at a workshop for a short film this poet had written, about when she used to work in a strip club. After the first week, I was told not to come back.
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I think that 'Mary Poppins' needs a subtle reader, in many respects, to grasp all its implications, and I understand that these cannot be translated in terms of the film.
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I am going to produce a movie of my own. I am not going to stick to the time-tested formulae of Hindi cinema. I want to make a film for the present generation. So there will be a lot of new faces in the film.
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The secret is not to make a film that causes something like Virginia Tech to happen. The secret is to make a film that stops it happening.
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Films were never in my budget. Didn't occur to me till much later. I hoped for a long, good life, which I've had and I'm having as an actor. I didn't expect the rest.
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You never know how a film will play, whether it will be successful or not, or whether it will touch the audience. I always said to myself that whatever happens, big audience or small, that I would not let the results have an impact on my way of working. But it would be a bit silly for me to change my methods when I have a big success. That means my methods work well.
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It's pretty awesome to see people dressed up in period clothing and running around on horses and in carriages and all that kind of thing. Part of the fun of making a period film is just that playfulness. It's just like make believe when you're a child except you get to do it for a real job.
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When I'm doing just music all the time, it can get really overwhelming. It's always challenging to switch it up a bit. And just because you're a musician, it doesn't mean that music is your only creative outlet.
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Kubrick's films have life - they just never die.
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I think Michael Caine is a perfectly good actor but it's obvious he's not going to be in one of my films.
