Mike Leigh Quotes
When it comes to thinking about how a character talks, there are literary and language considerations. For actors to be able to differentiate between themselves and the characters they are playing while at the same time remain in character and spontaneous requires a sophisticated combination of skills and spirit.
Quotes to Explore
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We may stumble and fall but shall rise again; it should be enough if we did not run away from the battle.
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I eat lots of vegetables and green juices.
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Knowing constitutional law helps one at the opera. The trial in 'Billy Budd,' as example, invokes the fugitive slave clause of the U.S. Constitution.
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Freud was a hero. He descended to the Underworld and met there stark terrors. He carried with him his theory as a Medusa's head which turned these terrors to stone.
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I want a future where my children feel safe and appreciated and proud to be who they are. My heart is one with all the Arab Spring heroes, no matter how small they think their role is. I know they believe, like me, that we are working for a world whereby an Arab can live with the other in a respectful and dignified way.
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Hair and make-up always helps. I did always try to be well-groomed, professional at all times. Take your job seriously - but not yourself.
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'Lost' is about a bunch of people stranded on an island. It's compelling, but kind of tiny. But what sustains you are the characters.
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When the art world is done wrong, a reader's faith is lost and possibly not recuperable.
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Workplaces still operate like it's 1962 and one person is always at home, and they are not very good at adjusting for the fact that a majority of women work and take care of children.
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Any director, if you really ask them, will tell you that the toughest thing to do is like a dinner table or a dialogue scene, because you need to keep that electricity maintained throughout the course of the film.
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I get really tired of hearing of all these old rockers whine and complain about how hard life on the road can be. Just stop if you don't like it. I don't think of it as work. I love it all.
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I eat super clean and am always watching what I eat.
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We are looking at a future where to a first approximation, everyone is wealthy.
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Every stumble is not a fall, and every fall does not mean failure.
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'Great Expectations' has become one of my favorite books.
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The ending is really the most important part of the movie. If the first hour and 20 minutes is terrific and the last ten minutes stinks, everybody walks out of the theatre and says: 'That was a lousy movie!'
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If you're confident, then it helps you live up to your potential, but if you believe because you went to a certain school it means you're entitled to have a particular career, you'll fall flat on your face eventually.
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One thing is for sure: a World Cup without me is nothing to watch.
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Everything's stolen. Everything precious - be it a kiss, or be it James Brown - gets misappropriated to the aid of the advertising executives. So, an act of reclamation, somewhere else to be: that's what I want my music to be. Somewhere you can step into. A place.
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We're coming into a new generation of women where there's the submissive woman, and then our reaction to it is, 'No, I'm a man, too, and I'm masculine,' and then we fight against it, which isn't the answer, either.
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It's true that none of my characters are admirable. But maybe I'm primarily a satirist, and a satirist needs to hold up what's not admirable.
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Deaths, births, and marriages, considering how much they are separately dependent on the freedom of the human will, should seem to be subject to no law according to which any calculation could be made beforehand of their amount; and yet the yearly registers of these events in great countries prove that they go on with as much conformity to the laws of nature as the oscillations of the weather.
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Most of the time, when I'm writing, I'm writing for myself. I'm thinking, 'What will my character say at this time? What will come out of her mouth?' I create individuals so real to me, I sometimes start talking to them. Then I let them loose on the page.
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When it comes to thinking about how a character talks, there are literary and language considerations. For actors to be able to differentiate between themselves and the characters they are playing while at the same time remain in character and spontaneous requires a sophisticated combination of skills and spirit.
