Mike May Quotes
Quotes to Explore
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To me, the funnest part of wrestling is evolving. If you stay the same all the time, you're eventually going to be left behind.
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I am very close to my brother Ramesh Babu. When my father was away for shootings, my brother would take care of me, and I am very close to him, and yes, Dad's always special.
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You could say that all novels are spy novels and all novelists are spy masters.
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Man is essentially a selfish creature. The differences in the degree with which this developed are infinite.
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Acting is the work of two people - it's only possible when you have the complicity, the help, even the manipulation of a director.
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I have such a huge girl crush on Beyonce.
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When a guy tells me I'm cute, it's not something desirable. Cute is more like what you want your pet to be.
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I said I wanted to strap guns on an El Camino. When I brought it up at a meeting, they said great. I realized there's no adult in the room.
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I don't like movies about serial killers, necessarily; it's too real and unpleasant for me.
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When I was in my late 30s, I lit a figure on fire on Baker Beach in San Francisco. It was me, a friend, and maybe eight people, tops. There wasn't any premeditation to it at all. It was really just a product of San Franciscan bohemian milieu.
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Being a pathfinder is to be willing to risk failure and still go on.
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The great champions were always vicious competitors. You never lose respect for a man who is a vicious competitor, and you never hate a man you respect. I don't like Rod Laver because he's such a vicious competitor, but I don't dislike him.
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I'm now beginning to feel that the pessimistic vision is not for the movies.
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I have this strength that comes from knowledge.
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As coaches, any work you may do, it's been done long ago.
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We used music in the film to create an environment. It made it feel like we were telling our story with a little extra -- a little extra soul.
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I had no choice in the decision to make myself available. I was not always doing things I wanted to do.
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I went to high school with girls that would daydream about what strip club they wanted to work at. That's one of the sad things about Vegas.
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In terms of talking with my collaborators as they came onboard - Jeannine Oppewall, our production designer, Dante Spinotti, our cinematographer, and so forth - I said to them, "Let's pretend that this is a place like Honolulu. Let's ignore the fact that all these other movies have been made here for decades and try to come at it with a fresh eye, as if it were an exotic city that people aren't that familiar with. And let's present our own view of it, create a world that's unique to this movie [L.A Confidential].
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We do not have to borrow in the external market, but we have used and are using this traditional instrument in international financial relations.
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Everyone discusses my art and pretends to understand, as if it were necessary to understand, when it is simply necessary to love.
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It is quite unsettling looking into someone's eyes, especially when you aren't used to it.
