Mike Mitchell Quotes
The narrative shouldn't stop for the song in a musical. The music has to continue the narrative of the storytelling.
Quotes to Explore
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I've never been far from the river. I'm sort of like a Thames-nymph.
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To rise from error to truth is rare and beautiful.
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You learn how to be an individual quick after 15 schools, man. After the first five or six, you realize you're always gonna be the new kid.
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We can code wills, escrows, trusts, notaries, revokable charge backs, proof of contracts, intellectual property enforcement. What Wall Street does can be done in code by Bitcoin.
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When 'Lost' was over, we expected that there'd be some people who'd really like it and other people who wouldn't. The Emmy nominations are an indication to us that there were a fair number of people who did like the way we concluded our story.
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I do yoga; I'm pretty dedicated.
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I'm never going to do something that I don't want to do, because I've been given the opportunity to not have to do that.
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I never really considered writing something that was nonfiction.
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You know, I believe that marriage is between a man and a woman.
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I don't look into negative things. Go past mistakes and look forward.
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Everybody always asks me, 'How much can you bench?' I'm like, 'I don't know. I don't lift weights.' Now that I'm in college, we lift weights every once in a while, but not maxing out. We do things with a weight vest on... That surprises people, too, how strong you can get by just basically lifting your body all the time.
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While 'Outlander' is a brilliant period show, Claire represents so many qualities of a 10th century modern-day woman: someone who is forging her own path, fighting for what she believes, and doing so with integrity.
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We are a little piece of continual change, looking at an infinite quantity of continual change.
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What I love about my work is that I'm forced to look through my character's eyes.
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What we've seen at least since 1979 is Iran making constant, calculated decisions that allow it to preserve the regime, to expand their influence where they can, to be opportunistic, to create what they view as hedges against potential Israeli attack in the form of Hezbollah and other proxies in the region.
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The narrative shouldn't stop for the song in a musical. The music has to continue the narrative of the storytelling.
