Abelardo Morell Quotes
At times, I have been convinced that books hold all the material of life--at least all the stuff that fits between an A and a Z.
Quotes to Explore
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Hands down, the biggest thrill is to get a letter from a kid saying, I loved your book. Will you write me another one?
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I've kept a journal since I was 15. And I feel like it's been crucial to who I've become and trying to maintain stuff, a sense of who I am just for myself and not for other people.
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I am not convinced that there is such a thing as a soul.
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I like to believe, as a writer, that anybody who isn't a reader yet has just not found the right book.
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Let us remember: One book, one pen, one child, and one teacher can change the world.
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I want a platform that, like a book or a magazine, I can carry into the bath or leave at the beach.
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I think my printing to this day looks like the printing right out of a comic book. Actually, I always wanted to be in a comic book. I watched cartoons when I was a kid, too, and both comics and cartoons lit fire in my imagination. This realm holds a lot of interest for me, a lot of passion for me. So to be comic-ized, yeah, that's cool.
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My method is, I just sit down and write a book.
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What I look for in any book is an argument, based on evidence, that changes the way I think about something important.
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Maybe self-publishing is going to be an extra step added to publishing. Maybe what's going to happen is you self-publish a book, someone notices it - an agent? - and it goes from there into the traditional sphere.
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I keep fit by running after my three boys all day.
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I lived for four years in the 1930s with these individuals and the only time that I wasn't thinking about dealing with physical suffering is when I was working on this book. I've never been more alive as when I worked on this book.
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I read that book, 'Lonesome Dove,' and I told my agent that they were gonna make a miniseries out of it and I wanted to be in it. I didn't care what part.
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The writers who inspire me most are all women: Enid Blyton, Agatha Christie, Margaret Mitchell and Emily and Charlotte Bronte. As for contemporary novels, one of my favourites is 'Everyone Brave is Forgiven' by Chris Cleave. It's the sort of book to read if you've fallen out of love with reading - it reminds you just how brilliant novels can be.
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Writers are not just people who sit down and write. They hazard themselves. Every time you compose a book your composition of yourself is at stake.
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What sense of superiority it gives one to escape reading some book which every one else is reading.
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'The Luminaries' is such a different book to 'The Rehearsal.' There are only a couple of things that link the two books: there's a certain preoccupation with looking at relationships from the outside, being shut out of human intimacy; and then there's patterning.
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I did know that the book would end with a mind-boggling trial, but I didn't know exactly how it would turn out. I like a little suspense when I am writing, too.
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What I had noticed is that there weren't a lot of women lining up to see a comic book movie, but they were going to line up to see 'The Devil Wears Prada,' which may have been something I wanted to address.
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Color is definitely an important factor for me during all phases of producing a cover. I always start out with a loose idea of what I want to see when I'm doing my initial sketches. This choice can be informed by anything, but I usually tend to lean toward more simple color schemes... something with a very obvious push between warms and cools.
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I'm not usually comfortable to talk about things I haven't done yet.
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The idea that comics stores, distributors and publishers simply 'give the customers what they want' is nonsense. What the customers wanted they didn't get - and they left.
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The courage we desire and prize is not the courage to die decently, but to live manfully.
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At times, I have been convinced that books hold all the material of life--at least all the stuff that fits between an A and a Z.
