Ninon de L'Enclos Quotes
The resistance of a woman is not always a proof of her virtue, but more frequently of her experience.
Quotes to Explore
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We live in a fast-paced culture where we're asked to make snap decisions all day long, so I suppose cash-point donations feed into the immediacy of our life experience. So it's a great idea. But I think it needs careful handling.
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Not to sound bad, but some girls are dumb. It's because they spend so much of their life trying to have the right look. On the other hand, some girls are just really smart. There are girls you can have conversations with that are healthy conversations. You can argue real life issues and solve problems together. That is what makes a woman sexy.
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Experience is what you get while looking for something else.
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I really identified with Pocahontas' struggles as a young woman trying to identify herself in a modern, changing world and trying to stay true to her culture and heritage.
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I love Rihanna. She represents that strong, independent woman that you cannot keep down.
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In comics, we're all weird together. I can go to a comics convention and not stand out, even though I'm the only woman in a headscarf there, because the guy next to me has a beard and a Sailor Moon costume.
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Actually, I have another record I made with them in 1976, but I've had such a bad experience with record companies, because I keep my head so much in music and not in business.
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Judgment comes from experience - and experience comes from bad judgment.
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Maybe if everybody in leadership was a woman, you might not get into the conflicts in the first place. But if you watch the women who have made it to the top, they haven't exactly been non-aggressive - including me.
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Writing a novel is a terrible experience, during which the hair often falls out and the teeth decay.
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Man is always looking for someone to boast to; woman is always looking for a shoulder to put her head on.
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Soon after my degree, in 1958 I went to the United States to enlarge my experience and to familiarize myself with particle accelerators. I spent about one and a half years at Columbia University.
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There is kind of a typical experience as a premier. You go in, you win a couple, you get out. Go serve on boards, take your head out of the political ringer and take on a much more private life.
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I've only been doing this fifty-four years. With a little experience, I might get better.
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Skepticism is a virtue in history as well as in philosophy.
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Students today need experience to get a job, and they need a job to get experience. The Chegg Champion program provides students with a real-world working experience that actually offers financial rewards.
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I think the role of the Bond woman has changed so much over the years that it now doesn't follow a typical archetypical view. Before, it was very much a beautiful woman who didn't contribute much and who usually ended up getting killed or was arm candy for Bond. But now the women in a Bond movie have so much more to offer.
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'Narcos' was a very strong experience, not only artistically and politically, but as a human being.
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I love the perspective afforded by having lived five decades, a degree of bemused and muted calm, a relief from the insistent demands of a turbulent ego and rampant ambition. I'd love to stay here forever. But something tells me that 50 is a sunny idyll, a temporary state of grace, a golden afternoon.
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Recently, I looked back at my first manuscripts and was struck by the lack of space, of breath. That's exactly how it felt, back then... like I was suffocating.
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In Australia I was seen as somebody who did only very modern, contemporary stuff. Then as soon as I went overseas I did two period pieces so it was like, 'When are you going to get out of the corsets?' And I was thinking I just got into them!
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Sometimes black people really want to hold onto our oppression - 'This is ours! This belongs to us.' You can't just talk about equality for somebody else. Let's pass it on. Let's pass it on to somebody else. At the end of the day, it is all about inequality.
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'The Invitation' is a meditation on grief and loss carried within a suspense drama. At its core, it's about a dinner party gone horribly wrong and about the consequences of denying our pain.
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The resistance of a woman is not always a proof of her virtue, but more frequently of her experience.
