Gail Carriger Quotes
Most of the names in my books have secondary meaning. Sometimes they foreshadow; sometimes they tell you about the character's origin or back story.
Quotes to Explore
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For me, I'm always looking for the opportunity for a character that challenges me and lets me play two for the price of one.
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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The thing about Precious, she's so far from a Hollywood character. She's so honest and real, I definitely felt like I knew her.
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With Altman, he does discuss everything with you, but then leaves you to it and gives you full rein and lets you improvise and create a character while the camera is rolling.
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Wit is the appearance, the external flash of imagination. Thus its divinity, and the witty character of mysticism.
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I've gone very far, far away, but my character keeps me close to home.
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When you choose your friends, don't be short-changed by choosing personality over character.
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Where there is righteousness in the heart, there is beauty in the character. When there is beauty in the character, there is harmony in the home. When there is harmony in the home, there is order in the nation. When there is order in the nation, there is peace in the world.
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What happens with every role, you have to trick yourself, you have to creatively find ways to explore the mental state of your character.
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I thought some of Mrs. White's material was prophetic. I felt some of her insights were extremely helpful and I regarded her as a sister in the Lord. I wasn't out to attack Ellen White's character.
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I read the script for 'Guncrazy' in 1985 and loved it because it was one of the few scripts I'd come across that revolved around a strong female character.
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I'm proud that Della was sort of a prototype for TV secretaries. There really was no such established character on TV when 'Perry Mason' came along.
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Religion is the search for ultimate meaning.
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I always try to approach character first and foremost viscerally.
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Character is supreme in life, hence Jesus stood supreme in the supreme thing - so supreme that, when we think of the ideal, we do not add virtue to virtue, but think of Jesus Christ, so that the standard of human life is no longer a code but a character.
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Character is always known. Thefts never enrich; alms never impoverish; murder will speak out of stone walls.
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My director is usually aware of what works for me and what doesn't. For 'Srimanthudu,' I have to give full credit to director Koratala Sivagaru for handling my character the way he did.
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I try to think what the character is thinking. Then, hopefully, I begin to feel it. I act and react not because I'm recalling a dog killed by a fire engine, but because I'm concentrating on what the character is going through.
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I am still trying to find out things. And I inevitably tell myself the story in different ways every time I think about it.
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I think when people begin to tell their stories, everything changes, because not only are you legitimized in the telling of your story and are you found, literally, like you matter, you exist in the telling of your story, but when you hear your story be told, you suddenly exist in community and with others.
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Over the years the political establishment has frowned if a mainstream politician mentions marriage.
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Most of the names in my books have secondary meaning. Sometimes they foreshadow; sometimes they tell you about the character's origin or back story.
