Ernest Dion Wilson (No I.D.) Quotes
Quotes to Explore
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I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
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More exposure has give to me more discipline because I am seeing that more people are wanting to observe what I am making/filming/singing; this does motivate me to make videos for every week.
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We allow no geniuses around our Studio.
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I write in the studio.
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I knew I had more in me than just standing up and having my picture taken... Being in the studio, I have to have an opinion.
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Well, once I did 'Grease,' everyone was offering me studio pictures in a similar vein – you know, popcorn movie.
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I missed so much of the Swinging Sixties by working. From 1961 to 1969, I got up at 4.30 A.M., a car came for me at 5.30 A.M., and I was taken to our studio at Teddington or Elstree, and we filmed until I got home at 9.30 P.M., five days a week.
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I am one day going to be working openly in the motion picture industry. When that day comes, I swear to you that I will never sign a term contract with any major studio.
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I'm a studio rat. I like going in there as producer.
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The dream world of sleep and the dream world of music are not far apart. I often catch glimpses of one as I pass through a door to the other, like encountering a neighbor in the hallway going into the apartment next to one’s own. In the recording studio, I would often lie down to nap and wake up with harmony parts fully formed in my mind, ready to be recorded. I think of music as dreaming in sound.
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I have people talking about, "Boy, I hate to go to work." I love to go to work!
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I hate it when you really think you're getting something good... and you don't listen to your dudes when you really should.
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Any project that I find encouraging that isn't attached to a studio, I can go to them, which I definitely would. You have to take an interest in what you do.
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Learned we may be with another man's learning: we can only be wise with wisdom of our own: [I hate a sage who is not wise for himself]
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I hate who steals my solitude, without really offer me in exchange company.
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Almost every evening, either I went to [Georges] Braque's studio or Braque came to mine. Each of us had to see what the other had done during the day. We criticized each other's work. A canvas wasn't finished unless both of us felt it was.
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I hate it when people pilfer my things.
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But I hate things all fiction... there should always be some foundation of fact for the most airy fabric - and pure invention is but the talent of a liar.
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I think the roles in television are better for women right now. At this point, I don't want to continue doing the same things I've been doing in film because it's very limited.
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Zimbabweans are severely malnourished, and deaths from starvation occur even in the cities. The country has not yet suffered nationwide famine only because international donors have stepped in.
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To miss one year is a long time. I've never been in this situation before, and I'm getting as much information as I can about my foot, to see what's the best for me and best for the Rockets.
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I hate filming in the studio.
