Ernest Dion Wilson (No I.D.) Quotes
Quotes to Explore
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I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
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More exposure has give to me more discipline because I am seeing that more people are wanting to observe what I am making/filming/singing; this does motivate me to make videos for every week.
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We allow no geniuses around our Studio.
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I write in the studio.
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I knew I had more in me than just standing up and having my picture taken... Being in the studio, I have to have an opinion.
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Well, once I did 'Grease,' everyone was offering me studio pictures in a similar vein – you know, popcorn movie.
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I missed so much of the Swinging Sixties by working. From 1961 to 1969, I got up at 4.30 A.M., a car came for me at 5.30 A.M., and I was taken to our studio at Teddington or Elstree, and we filmed until I got home at 9.30 P.M., five days a week.
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I am one day going to be working openly in the motion picture industry. When that day comes, I swear to you that I will never sign a term contract with any major studio.
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I'm a studio rat. I like going in there as producer.
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The dream world of sleep and the dream world of music are not far apart. I often catch glimpses of one as I pass through a door to the other, like encountering a neighbor in the hallway going into the apartment next to one’s own. In the recording studio, I would often lie down to nap and wake up with harmony parts fully formed in my mind, ready to be recorded. I think of music as dreaming in sound.
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I have people talking about, "Boy, I hate to go to work." I love to go to work!
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I hate it when you really think you're getting something good... and you don't listen to your dudes when you really should.
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Any project that I find encouraging that isn't attached to a studio, I can go to them, which I definitely would. You have to take an interest in what you do.
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Learned we may be with another man's learning: we can only be wise with wisdom of our own: [I hate a sage who is not wise for himself]
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I hate who steals my solitude, without really offer me in exchange company.
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Almost every evening, either I went to [Georges] Braque's studio or Braque came to mine. Each of us had to see what the other had done during the day. We criticized each other's work. A canvas wasn't finished unless both of us felt it was.
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I hate it when people pilfer my things.
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But I hate things all fiction... there should always be some foundation of fact for the most airy fabric - and pure invention is but the talent of a liar.
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I was in George Martin's studio in Amsterdam and he was telling me, 'They come in here and it takes them three days to do a bass line.' Well I'm not from that era.
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Imagine you wake up one morning with a knock at the door, and when you answer, there's Denzel Washington announcing that he's going to be filming on your street for several weeks.
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To miss one year is a long time. I've never been in this situation before, and I'm getting as much information as I can about my foot, to see what's the best for me and best for the Rockets.
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The first principle of solid wisdom is discretion, without it all the erudition of life is merely bagatelle.
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I was trying to pay the bills with poems, and it was easy to memorize my poems, because I'd be riding my bike in California trying to memorize them before going on stage at a poetry lounge.
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I hate filming in the studio.
