Adam Selzer Quotes
Quotes to Explore
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It's always a live experience - anything that happens around you. It's so easy to just put it to a song.
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I used to watch 'Top of the Pops' when I was a kid and say 'Yeah!' or 'Boo!' at every single song. So there was nothing in the middle. You brutally put it on one side or another.
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As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.
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There's something different that happens when you're writing a song for your own record that you know you're going to sing.
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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We never thought 'Say Something' would be a holiday song. I'm still surprised that it's resonating at this time of year. Maybe that's why it's working so well - it balances out all the joy.
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There are no rules to writing a song.
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If I waited for inspiration every time I sat down to write a song I probably would be a plumber today.
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Toil without song is like a weary journey without an end.
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It usually takes me 20 to 90 minutes to write a song because once I start, I don't stop. If I start writing a song, and you try to have a conversation with me, you're a bad person.
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I've been fascinated by the Internet from the very start. In 2001, I had made a funny black-and-white film called 'How to Dance Properly,' a short video of me dancing to a Madonna song. I sent it to 17 of my friends on a Thursday, and by Monday, one million people a day were logging on to view it.
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Sometimes videos make a bad song very tight.
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I feel like a 16-year-old trapped inside a dead woman's body.
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I've been doing this career for a really long time, but there was not a lot of reason, at the time when I wrote 'Fight Song,' to believe that I should keep going.
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I'd like to do a completely off-the-wall collaboration. I would like one of my songs to be the hook to a rap song. That would be so much fun!
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As a songwriter you have an umbilical cord to the song and it's hard to expand on your understanding of the lyrics. Whereas when you cover a song you can create your own reason why you're attached to it.
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'Whiplash' was always the song I hated the most because it's a song designed to screw with drummers.
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It's really weird when we're out of the country, whether we're in Brazil or Greece or some crazy place like France or Germany. When you hear your song on the radio or in a store, and you're in a different country, it's really freaky and surreal.
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I don't do filler songs. I don't get them. They don't make any sense to me. Why would I literally waste my time on a song that doesn't hold up to the same standards as the other songs on the album? I won't play it live.
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It's like, it's up to the people to fall in love with the song. The record company can only do so much.
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The trick of Afrobeats is it doesn't just move your upper body, it moves your hips as well, and I think that's what people have been missing in popular music for a while. I think that's what people need around the world.
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I had never thought this would happen. I feel like I am in a dream.
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I really do believe that mayors have the political position to really change people's lives.
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When you're dead, everything in the world is like a song that makes you cry.
