Adam Selzer Quotes
Quotes to Explore
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I used to watch 'Top of the Pops' when I was a kid and say 'Yeah!' or 'Boo!' at every single song. So there was nothing in the middle. You brutally put it on one side or another.
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As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.
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There's something different that happens when you're writing a song for your own record that you know you're going to sing.
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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We never thought 'Say Something' would be a holiday song. I'm still surprised that it's resonating at this time of year. Maybe that's why it's working so well - it balances out all the joy.
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If I waited for inspiration every time I sat down to write a song I probably would be a plumber today.
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Toil without song is like a weary journey without an end.
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It usually takes me 20 to 90 minutes to write a song because once I start, I don't stop. If I start writing a song, and you try to have a conversation with me, you're a bad person.
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I've been fascinated by the Internet from the very start. In 2001, I had made a funny black-and-white film called 'How to Dance Properly,' a short video of me dancing to a Madonna song. I sent it to 17 of my friends on a Thursday, and by Monday, one million people a day were logging on to view it.
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Sometimes videos make a bad song very tight.
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I feel like a 16-year-old trapped inside a dead woman's body.
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I've been doing this career for a really long time, but there was not a lot of reason, at the time when I wrote 'Fight Song,' to believe that I should keep going.
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I'd like to do a completely off-the-wall collaboration. I would like one of my songs to be the hook to a rap song. That would be so much fun!
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As a songwriter you have an umbilical cord to the song and it's hard to expand on your understanding of the lyrics. Whereas when you cover a song you can create your own reason why you're attached to it.
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'Whiplash' was always the song I hated the most because it's a song designed to screw with drummers.
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It's really weird when we're out of the country, whether we're in Brazil or Greece or some crazy place like France or Germany. When you hear your song on the radio or in a store, and you're in a different country, it's really freaky and surreal.
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It's like, it's up to the people to fall in love with the song. The record company can only do so much.
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It's like freedom of speech - they can't tell you not to do it. When no one will put you on at a club or venue, you can go to the street, just start singing, and get a lot of good feedback from people as they walk by. I got really good at lip reading and seeing if a song is working. It was a good way to start.
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I'm quite sure we all have a sweet love song that we dance to or recall from our wedding or something, like 'At Last,' but I think that it is the love-gone-wrong songs that touch even men.
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North Korea desperately needed the foreign currency which this lethal trade could bring; its role as chief 'rogue' reinforced its prestige among anti-Western states, near and far; and it could also hope at the right moment to extort new instalments of Danegeld from America and her allies.
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Some people are so sad that, at times, that's what gets on my nerves - if they just hammer the doom, with no comic relief whatsoever.
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I had a wonderful life and was blessed with so many loving people and great friends.
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I was in awe of my father. His generosity was beyond anything I ever could imagine. The reason I say he's like Don Corleone is he was always breaking off hundreds. I'd be like, 'Hey Dad, I'm going to McDonald's with my friends,' and he'd just whip out a hundred: 'Here, go, have fun.'
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When you're dead, everything in the world is like a song that makes you cry.
