Adam Selzer Quotes
Quotes to Explore
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It's always a live experience - anything that happens around you. It's so easy to just put it to a song.
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I used to watch 'Top of the Pops' when I was a kid and say 'Yeah!' or 'Boo!' at every single song. So there was nothing in the middle. You brutally put it on one side or another.
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As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.
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There's something different that happens when you're writing a song for your own record that you know you're going to sing.
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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We never thought 'Say Something' would be a holiday song. I'm still surprised that it's resonating at this time of year. Maybe that's why it's working so well - it balances out all the joy.
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I have breakups that I can credit to every song. In my twenties, I picked people who would create that dysfunction and drama, so I could draw upon it.
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There are no rules to writing a song.
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If I waited for inspiration every time I sat down to write a song I probably would be a plumber today.
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Toil without song is like a weary journey without an end.
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It usually takes me 20 to 90 minutes to write a song because once I start, I don't stop. If I start writing a song, and you try to have a conversation with me, you're a bad person.
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I've been fascinated by the Internet from the very start. In 2001, I had made a funny black-and-white film called 'How to Dance Properly,' a short video of me dancing to a Madonna song. I sent it to 17 of my friends on a Thursday, and by Monday, one million people a day were logging on to view it.
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Sometimes videos make a bad song very tight.
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I feel like a 16-year-old trapped inside a dead woman's body.
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I've been doing this career for a really long time, but there was not a lot of reason, at the time when I wrote 'Fight Song,' to believe that I should keep going.
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I'd like to do a completely off-the-wall collaboration. I would like one of my songs to be the hook to a rap song. That would be so much fun!
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As a songwriter you have an umbilical cord to the song and it's hard to expand on your understanding of the lyrics. Whereas when you cover a song you can create your own reason why you're attached to it.
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'Whiplash' was always the song I hated the most because it's a song designed to screw with drummers.
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On a day of burial there is no perspective--for space itself is annihilated. Your dead friend is still a fragmentary being. The day you bury him is a day of chores and crowds, of hands false or true to be shaken, of the immediate cares of mourning. The dead friend will not really die until tomorrow, when silence is round you again. Then he will show himself complete, as he was--to tear himself away, as he was, from the substantial you. Only then will you cry out because of him who is leaving and whom you cannot detain.
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My characters are like my children in a way. I create them, and then I worry about them forevermore.
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On a Friday night, I like to go out because my friends, who have been working normal hours, just want to let go after a stressful week at work.
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My wife and I got engaged in New Hampshire at this lake house that her family's had forever, and it's on Lake Winnipesaukee. And so we went there every summer as we were dating.
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Google's ability to pick winners and losers in the information world is a menace. These companies have the ability to determine which media companies are successful and which ones are failures. If I adopt a business plan that doesn't line up with Google's, then they're not going to reward me.
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When you're dead, everything in the world is like a song that makes you cry.
