Adam Selzer Quotes
Quotes to Explore
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It's always a live experience - anything that happens around you. It's so easy to just put it to a song.
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I used to watch 'Top of the Pops' when I was a kid and say 'Yeah!' or 'Boo!' at every single song. So there was nothing in the middle. You brutally put it on one side or another.
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As a songwriter I hate this whole, 'If it's a sad song, it has to sound like a sad song thing.' And that goes all the way back to my days with the Format. I'm an insane narcissist, so if I have to get something off my chest, I'll get something off my chest.
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There's something different that happens when you're writing a song for your own record that you know you're going to sing.
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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We never thought 'Say Something' would be a holiday song. I'm still surprised that it's resonating at this time of year. Maybe that's why it's working so well - it balances out all the joy.
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I have breakups that I can credit to every song. In my twenties, I picked people who would create that dysfunction and drama, so I could draw upon it.
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There are no rules to writing a song.
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If I waited for inspiration every time I sat down to write a song I probably would be a plumber today.
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Toil without song is like a weary journey without an end.
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It usually takes me 20 to 90 minutes to write a song because once I start, I don't stop. If I start writing a song, and you try to have a conversation with me, you're a bad person.
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I've been fascinated by the Internet from the very start. In 2001, I had made a funny black-and-white film called 'How to Dance Properly,' a short video of me dancing to a Madonna song. I sent it to 17 of my friends on a Thursday, and by Monday, one million people a day were logging on to view it.
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Sometimes videos make a bad song very tight.
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I feel like a 16-year-old trapped inside a dead woman's body.
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I've been doing this career for a really long time, but there was not a lot of reason, at the time when I wrote 'Fight Song,' to believe that I should keep going.
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I'd like to do a completely off-the-wall collaboration. I would like one of my songs to be the hook to a rap song. That would be so much fun!
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As a songwriter you have an umbilical cord to the song and it's hard to expand on your understanding of the lyrics. Whereas when you cover a song you can create your own reason why you're attached to it.
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'Whiplash' was always the song I hated the most because it's a song designed to screw with drummers.
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I wanted to have more songs with religious backgrounds. The Christmas record has strong, traditional hymns, but it also has a song called 'Christmas in Heaven' about missing someone that you love that's passed on, and wondering what's going on up there on Christmas.
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I love a lot of the young, new artists who are coming up, including Adele. I suppose anybody would freak out to work with her. To be able to play a saxophone solo on one of her songs would be the most ultimate thing ever.
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I love competing against the best players. I have a huge challenge, and that's to win a U.S. Open and complete the Grand Slam. I enjoy that challenge. Every year it comes around, I get excited to try to conquer that opportunity. I love it.
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Because we are intelligent creatures-meaning that we are freed from instinctive and patterned behavior to a degree unparalleled in the animal kingdom-we are capable of, and dependent on, using rational choice to decide our futures.
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When you're dead, everything in the world is like a song that makes you cry.
