Adel al-Jubeir Quotes
Quotes to Explore
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I think most families have a few secrets or some strange aspect to their history. We're all fascinated by family dynamics, but I'd much rather sit in an audience and watch someone else's problems!
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I only got interested in radio once I talked my way into an internship at NPR's headquarters in Washington, D.C. in 1978, never having heard the network on the air.
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You have your identity when you find out, not what you can keep your mind on, but what you can't keep your mind off.
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The Wreckoning is a darker song. But the record is positive.
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Beijing was such a different city. There were so few cars, I could walk in the middle of the road. In the summer, the streetlamps attracted swirling bugs. I loved those bugs: crickets, praying mantis, all kinds of beetles. I also have a vivid memory of dazzling sunlight coming out of the sky.
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One of the advantages of being disorderly is that one is constantly making exciting discoveries.
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It's like a painter with various layers of paint. I start with a drum loop and add keyboards, and then melodies start to take shape. The vocals happen later. I've never really done therapy before, but it's a form of therapy. Everything else falls away.
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I definitely want to be an inspiration or a role model for all the little girls out there or anyone out there that wants to break stereotypes. I feel like I'm breaking stereotypes with what I'm doing. I'm not the typical fighter, and there's a lot of people out there that won't do something just because they don't fit the stereotype.
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Dumb luck brought on the move from business to acting. I had moved to New York when I was 23, in the year 2000. On a lark, I went to audition for a soap opera.
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In Edna, I created a satiric portrait of my hometown of Melbourne, a large provincial English city paradoxically in far Southeast Asia. She's a theatrical figure, related to vaudeville in some respects. She inhabits a world in which there are comparatively few female exponents of comedy.
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I'm basically for the whole year just traveling with three suitcases.
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I hate seaweed.
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If you take it as a compliment that you don't look your age, then you're really shooting yourself in the foot.
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I was on 'The O.C.' and had a small part, which wasn't very challenging. I was a bit bored, so I started shadowing directors and they finally gave me a shot. From there, it led to directing other television shows. I am trying to direct a feature film, so we'll see what happens.
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Everyone feels embarrassed, but when you laugh it off, it's fine.
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The kind of acting I love is when you watch and you discover what you think perhaps you weren't supposed to see: the chink in the armor.
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I was thinking about working with Lady Gaga, not 'Born This Way' but more her old stuff that she did with RedOne from her first album. I think that would be really fun - a cool combination.
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I love what I do and I think it shows. As my kids get older, they can see me as a mom who loves working.
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There are 20 million unemployed and what does the Constitution offer us in the Europe of 25, 27 and soon to be 30: policies of unrestricted competition to the detriment of production, wages, research and innovation.
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Children, by nature, are keen, passionate and curious. What was referred to as laziness is often merely an awakening of sensitivity, a psychological inability to submit to certain absurd duties, and a natural result of the distorted, unbalanced education given to them. This laziness, which leads to an insuperable reluctance to learn, is, contrary to appearances, sometimes proof of intellectual superiority and a condemnation of the teacher.
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When you work so much in between starts, you realize how long the season is. It's exciting to look at and be a part of, obviously. It's almost like a challenge, to see how, from start to start, things may feel a little differently.
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When in Rome, live as the Romans do; when elsewhere, live as they live elsewhere.
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'Swimming Pool' was a very important moment for me because the character was written for me.
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Should the political process not work, there is always the other approach.