Mikhail Baryshnikov Quotes
You cannot dance physically certain things. But look at tango dancers or flamenco or Japanese classical theater. You can, if you're smart enough and you collaborate with the right choreographers, you could really dance your age.
Quotes to Explore
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I don't sleep enough, and it does... what is the opposite of wonders... horrors. It does horrors for my skin.
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Until I feel strong enough to pray sincerely and to act accordingly, I would rather not pray at all.
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I started to travel like this at the age of 15 so for me, it's normal. Some days you get tired and you feel, 'I want to stay at home a little bit more,' but it's only the moment.
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One becomes a grandfather and one sees the world a little differently. Certainly the world becomes a more vulnerable place when one has a grandchild, or now I have two. And I think that possibly there's some tenderness that came out of just time and age and being a parent and grandparent.
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Carter's hopes died when the Soviet Union invaded Afghanistan and he ended up having to reverse policy and launch the military buildup that Reagan continued. Mr. Obama would be forced back into a war on terror if terrorist groups pull off enough damaging or frightening attacks to force this issue to the fore.
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I owe my career to Latina women. I was surrounded by the amazing group: my mother, my aunts, my extended family. They didn't necessarily have access to high fashion, but they had great style and looked stunning naturally at every age.
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The kind of people that all teams need are people who are humble, hungry, and smart: humble being little ego, focusing more on their teammates than on themselves. Hungry, meaning they have a strong work ethic, are determined to get things done, and contribute any way they can. Smart, meaning not intellectually smart but inner personally smart.
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Sydney is rather like an arrogant lover. When it rains it can deny you its love and you can find it hard to relate to. It's not a place that's built to be rainy or cold. But when the sun comes out, it bats its eyelids, it's glamorous, beautiful, attractive, smart, and it's very hard to get away from its magnetic pull.
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Living in an age of advertisement, we are perpetually disillusioned. The perfect life is spread before us every day, but it changes and withers at a touch.
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When I retired from the circus at the grand old age of 11, my parents thought it would be best to focus more on the challenges ahead, and so I started at Methodist College Belfast.
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Ultimately, if we can develop enough players, the balance of foreign players isn't great, but that's because we're not producing enough players.
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I still like to listen to the people that I came of age on.
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Self-parody is the first portent of age.
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From an early age onward, it was said that 'Ingmar has no sense of humor.'
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I started writing songs at age 15.
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Tarzan held a peculiar position in the tribe. They seemed to consider him one of them and yet in some way different. The older males either ignored him entirely or else hated him so vindictively that but for his wondrous agility and speed and the fierce protection of the huge Kala he would have been dispatched at an early age.
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At the age of eleven or thereabouts women acquire a poise and an ability to handle difficult situations which a man, if he is lucky, manages to achieve somewhere in the later seventies.
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In a sense, my grandmother was living in the Iron Age. There was no system of writing among the nomads. Metal artifacts were rare and precious. … The first time she saw a white person my grandmother was in her thirties: she thought this person's skin had burned off.
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The man smiled at him a sly smile. As if they knew a secret between them, these two. Something of age and youth and their claims and the justice of those claims. And of their claims upon them. The world past, the world to come. Their common transciencies. Above all a knowing deep in the bone that beauty and loss are one.
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When I was 20, I had these furrowed lines between my brows because I was always angry. And I was 20. I don't think that was a mark of age; it was just my personality.
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The evolution of Parkour sort of happens with time and age as you change, and the body has a certain memory of Parkour. There is a sort of thing that remains intrinsic, but then the choreography will adapt to whatever the necessity of each particular film needs.
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You'll probably find most models are incredibly insecure about their bodies.
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The entire most beautiful order of things that are very good, when their measures have been accomplished, is to pass away.
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You cannot dance physically certain things. But look at tango dancers or flamenco or Japanese classical theater. You can, if you're smart enough and you collaborate with the right choreographers, you could really dance your age.
